Protecting cultural property

Protecting is the Organization's most visible mission. It rests on a database of stolen works, the BIOP, which now records 48,200 works. Each report is processed within twenty-four hours.
The details of the system are presented in the Protection section. This page gives the broad outline for the general public.
Protect: BIOP, alerts and restitutions in figures
Source: OIMAP General Secretariat.
The BIOP database
The BIOP brings together works reported stolen, lost or illicitly exported. Each record includes a description, photographs, the circumstances of the report and the authority that opened the case.
The database can be consulted by customs, police and approved auction houses. A public extract allows any buyer to check a work before purchase.



Reporting a theft or loss
Any owner, institution or State can report a work. Reporting is free of charge. It is processed within twenty-four hours and, if the information is sufficient, leads to an alert circulated to partner authorities.
A solid file contains photographs, dimensions, an OIMAP number where one exists and a copy of the police report.
Alerts
An alert is a targeted message that describes the work and asks customs, police and auction houses to be vigilant. Interested persons can subscribe free of charge to public alerts.
See the BIOP Alerts pages to view active alerts and subscribe.
Coordinated operations and restitutions
In 2024, the Organization coordinated 23 operations involving several national services. These operations contributed to the return of 847 works to their rightful owners, whether States, institutions or individuals.
Each restitution follows a documented procedure, which respects the law of the State concerned and the rights of the good-faith purchaser.
The protection chain
| Stage | Actor | Timeframe |
|---|---|---|
| Report | Owner or State | Immediate |
| Processing | Protection Directorate | 24 h |
| Alert | Customs, police, auction houses | Depending on the case |
| Restitution | National authorities | Variable |
Milestones
- Creation of the BIOP
Database of stolen works.
- Directives
Obligation to consult before sale.
- 23 operations
847 works returned.
- 19th General Assembly
Singapore, 10–12 June.
Reacting quickly



Public alert or restricted circulation

Public alert
Circulated to the general public- Identifiable work
- Helps vigilance
- Free subscription
Wide visibility.

Restricted circulation
Reserved for the authorities- Investigation under way
- Sensitive information
- Controlled access
Protects the investigation.
The steps of reporting
- File a complaint
National authority.
- Gather the documents
Photos, dimensions, OIMAP number.
- Report to OIMAP
Online form.
- Follow the alert
Reply within 24 h.
Report file
A customs officer

« The BIOP lets us check a work in a few minutes, even in a port far from headquarters. »
Glossary
- BIOP
- Database of stolen works managed by the Protection Directorate.
- Alert
- Vigilance message circulated to partner authorities.
- Restitution
- Return of a work to its rightful owner.
- Good faith
- Situation of a purchaser unaware of the illicit origin of an item.
Prevent rather than punish
Protection starts with prevention: training of officers, artwork passports, systematic checks before sale. The more complete the traceability, the harder it is to conceal a theft.
Professionals will find practical advice in the collector's charter.
Frequently asked questions
Is reporting subject to a fee?
No, it is free.
Who can consult the BIOP?
Authorities and approved auction houses; a public extract is open to all.
Does OIMAP recover works?
It coordinates; seizures are a matter for the States.
How to subscribe to alerts?
See Subscribe to alerts.
Useful documents
Contacts

Report a work
Image credits (17)
- Farmhouse on the Slope of a Hill, Fra Bartolommeo (c. 1508) — Cleveland Museum of Art, CC0 1.0
- Portrait of Machtelt Suijs, Maerten van Heemskerck (c. 1540–45) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- Bull Head Attachment (c. 700–600 BCE) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- Study for "A Sunday on La Grande Jatte", Georges Seurat (1884) — The Metropolitan Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- Figure from a Crèche: Standing Mountain Goat (1780–1830) — Cleveland Museum of Art, CC0 1.0
- Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro (1879) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- Sports on a Frozen River, Aert van der Neer (ca. 1660) — The Metropolitan Museum of Art, CC0 1.0
- Corner Cabinet, René Dubois (c. 1765–1770) — Cleveland Museum of Art, CC0 1.0
- Panel (c. 1780–1840) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
ProtectionRecovering stolen works, fighting illicit trafficking and protecting heritage: the BIOP database, international cooperation, restitutions and guides for law enforcement.›
BIOP alertsThe BIOP alert system: report a theft or loss, view current alerts and subscribe free of charge.›
Subscribe to alertsReceive the BIOP alerts of your choice free of charge by e-mail: types, frequency, changes and unsubscription.›
BIOP statisticsWorks recorded, alerts, restitutions and coordinated operations: the statistics of the protection database.›