Pages in this section
Identify cultural propertyRecognising cultural property in the field: signs, categories, marks, photographs and comparison with the BIOP database.›
Seizure procedureSecuring, handling, documenting, keeping and passing on: the steps of a seizure of cultural property that complies with the law and protects the object.›
Law enforcement contactsThe emergency lines, focal points, liaison officers and experts to contact depending on the situation.›
A field manual

A police officer who finds a suspect object in a vehicle, a search or a warehouse must know what to do: recognise it, handle it without damaging it, seize it in due form and alert the right contacts. This guide gives them the actions and the contacts.
It is aimed at police officers, gendarmes, magistrates and specialised investigators. It is published in three languages, updated every year and complemented by level 2 to 4 training.
The section has three pages: identifying property, the seizure procedure and the contacts.
Law enforcement guide in figures
Source: OIMAP Heritage Protection Department.
Why a specific guide
Cultural property calls for particular handling: a painting is not handled like a piece of furniture, an archaeological statuette is not cleaned, a manuscript is not leafed through with kitchen gloves. Poor handling can destroy evidence or irreparably damage property.
The guide also gives legal benchmarks: seizure regime, status of objects, preservation of evidence, restitution. It links national procedures with international mechanisms.



A guide in three stages
The first stage is recognition: knowing that an object may be cultural property and what makes it possible to match it with a BIOP record. The second is seizure: securing, handling, documentation, seals, report. The third is cooperation: alerting the BIOP unit, requesting an appraisal, contacting investigators in other countries.
Each stage relies on one-page practical sheets, usable in the field, and on document templates.
A support network
Law enforcement can rely on a network: the BIOP unit for checks, accredited experts for rapid appraisals, partner museums for temporary conservation, liaison officers for international cooperation.
For urgent cases, the emergency line makes it possible to obtain a specialist's opinion in a few minutes. Trained officers can also be put in touch with colleagues who have already handled similar cases.
A living guide
The guide is enriched by user feedback. Each year a consultation gathers the difficulties met in the field and suggestions for improvement. The sheets are reworked with officers, to ensure that they remain usable in real situations.
Lessons from joint operations are also built in: new concealment techniques, new types of property, new procedures. An updated version is circulated each spring.
The three stages of intervention
| Stage | Objective | Tool |
|---|---|---|
| Recognise | Identify cultural property | Identification sheets, BIOP |
| Seize | Secure and document | Seizure procedure, report |
| Cooperate | Alert, appraise | Emergency line, liaison officers |
Landmarks
- First edition of the guide
Paper version.
- Field sheets
Pocket format.
- Digital version
Application.
- Edition in three languages
Annual update.
If in doubt, do not touch



Intervention alone or with support

Alone
The local team- Immediate responsiveness
- Risk of error
- Possible for simple cases
For common objects.

With support
With the BIOP unit or an expert- Greater reliability
- Delay of a few hours
- Recommended for important cases
For sensitive cases.
Reacting to suspect property
- Secure
Protect the premises.
- Photograph
Document in place.
- Search
Consult the BIOP.
- Seize
Handle with care.
- Alert
Inform the unit.
In the investigator's case
An investigator

« The guide fits in a pocket. It stopped me damaging a two-thousand-year-old statue that I wanted to clean. »
Vocabulary of investigation
- Seals
- Marks guaranteeing the integrity of an object.
- Report
- Official record of an operation.
- Scale ruler
- Standard placed in a photograph.
- Search
- Search of a place by the authority.
Frequently asked questions
Useful documents
Contacts

Identify property
Image credits (19)
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
- Ships near the Trieux River, Paul Signac (1925) — Cleveland Museum of Art, CC0 1.0
- Architectural Conference (c. 1622) — Cleveland Museum of Art, CC0 1.0
- Sailing Vessels: Armed Four-Master Putting Out to Sea, Pieter Bruegel (1561–65) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Sketchbook, The Dells, N° 127, page 090 & 91: Harbor with a Road, Maurice Prendergast (c. 1919–1921) — Cleveland Museum of Art, CC0 1.0
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Landscape with Saint John the Baptist, Herri met de Bles (c. 1540) — Cleveland Museum of Art, CC0 1.0
- Return of the Fishing Boats at Collioure, near the Spanish Border, Adolphe Appian (1878) — Cleveland Museum of Art, CC0 1.0
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Enjoying the Evening Cool Along the Sumida River, Kitagawa Utamaro (c. 1797–98) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- The Doge's Palace, Venice, Richard Parkes Bonington (1826) — Cleveland Museum of Art, CC0 1.0
- Fishing Boats along the Beach, Eugène Isabey (c. 1830) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Identify cultural propertyRecognising cultural property in the field: signs, categories, marks, photographs and comparison with the BIOP database.›
Seizure procedureSecuring, handling, documenting, keeping and passing on: the steps of a seizure of cultural property that complies with the law and protects the object.›
Law enforcement contactsThe emergency lines, focal points, liaison officers and experts to contact depending on the situation.›