Pages in this section
Presentation of the BIOP databaseHistory, governance, operation and feeding of the BIOP database: who contributes, how it is checked and how it evolves.›
Professional access to the BIOPEnhanced access reserved for approved operators: conditions, features, personalised alerts, automated interface and obligations.›
Law enforcement access to the BIOPSecure access for police, customs and magistrates: authorisation, sensitive data, emergency line and cooperation with investigators.›
The common register of stolen heritage

The BIOP database is the world register of stolen, lost or suspect works. It allows a buyer to check in a few seconds that a work is not being sought, and a police force to know what another country's police have already established.
Created in 2009, it now holds 48,200 works. It is fed by reports from owners, museums, police forces and INTERPOL, and consulted every day by hundreds of operators.
This page presents the database, its three levels of access and the rules of operation. The following pages detail the presentation, professional access and law enforcement access.
BIOP database in figures
Source: OIMAP Heritage Protection Department.
What a record contains
Each record describes the work (title, author, date, technique, dimensions), the circumstances of the disappearance (date, place, nature), photographs, distinguishing marks and the contact details of the person to contact. A record receives a unique identifier, linked to the OIMAP number if the work is registered.
Records are checked by an analyst before publication: consistency of information, absence of duplicates, respect for privacy. An owner may ask that their identity not be published; only the BIOP unit then knows it.



Three levels of access
Public access makes it possible to search for a work by keywords, by category or by image, and to display the information useful for recognition. Professional access, reserved for approved operators, adds detailed data, the history of consultations and personalised alerts.
Law enforcement access gives authorised officers the sensitive information: circumstances of the theft, ongoing investigations, links with other cases. It is secured by enhanced authentication and logged.
A useful database, strict rules
A public database of stolen works is a powerful tool, which must remain fair. A work appears in it only after verification, and a record is withdrawn as soon as the work is found or the error established. Every person concerned may request the correction of inaccurate information.
The database complies with data protection rules: only the necessary information is published and retention is limited. An independent supervisory committee checks the operation of the BIOP each year.
Continuous improvement of the database
Each year the BIOP unit deals with reported errors, merges duplicates and enriches records with new elements: recovered photographs, police reports, appraisal results. An internal dashboard tracks the rate of complete records, which reaches 87%.
Planned developments concern image recognition, interoperability with national databases and the opening of a programmable interface for approved platforms.
The three levels of access
| Level | Audience | Content |
|---|---|---|
| Audience | Any internet user | Search, identification records |
| Professional | Approved operators | Detailed data, alerts |
| Law enforcement | Authorised officers | Circumstances, investigations |
Landmarks
- Creation
First 3,000 records.
- Exchange with INTERPOL
Data synchronisation.
- Image search
Visual fingerprint of works.
- 48,200 works
Milestone passed.
Absence from the database is not proof



Simple search or advanced search

Simple search
A few keywords- Quick
- Open to all
- Broad results
First reflex.

Advanced search
Detailed criteria- Period, technique, dimensions
- Targeted results
- Registration recommended
For precise cases.
Consulting the database
- Describe
Gather the information on the work.
- Search
Launch a simple search.
- Refine
Use the advanced criteria.
- Compare
Examine the photographs.
- Keep
Archive the dated capture of the consultation.
Good consultation practices
A dealer

« I consult the database the way I check a cheque: it takes two minutes and it has already saved me from a big mistake. »
Vocabulary of the database
- BIOP record
- Entry describing a reported work.
- Visual fingerprint
- Digital signature of an image.
- Authorisation
- Right of access to sensitive data.
- Striking off
- Withdrawal of a record.
Frequently asked questions
Is access free?
Yes for simple search and for approved professional consultation.
How do I correct a record?
Through the contact form.
Does a work that is found stay in the database?
It is removed from the public list but the history is kept.
Where do I report a theft?
See Report a work.
Useful documents
Contacts

Search for a work
Image credits (19)
- Seal with Two Qilin Playing (1849) — Cleveland Museum of Art, CC0 1.0
- Carved Lacquer Scroll Box (1736–95) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles and Linked Arcs (late 300s BCE–50 CE) — Cleveland Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- Document Box (Ryōshibako) with Chrysanthemum and Plum (lid) (late 1800s-early 1900s) — Cleveland Museum of Art, CC0 1.0
- Water Transport Jar (1900s) — Cleveland Museum of Art, CC0 1.0
- Teapot with Landscape and Imperial Poem, Chen Hanwen (1762–95) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- Fish or Seal Club (X’ús’) (late 1800s–early 1900s) — Cleveland Museum of Art, CC0 1.0
- Courtyard, Alhambra, Charles Clifford (1857–58) — Cleveland Museum of Art, CC0 1.0
- Seal of Doge Michele Steno (reverse) (1400–1409) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- Carnet (1863–1865) — Cleveland Museum of Art, CC0 1.0
- Small Mosque in the Kaiserbagh, Felice A. Beato (1858) — Cleveland Museum of Art, CC0 1.0
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- Twilight in the Wilderness, Frederic Edwin Church (1860) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Vessel with Abstract Heads (100 BCE–700 CE) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
ProtectionRecovering stolen works, fighting illicit trafficking and protecting heritage: the BIOP database, international cooperation, restitutions and guides for law enforcement.›
Search for a workThree ways to query the BIOP database: simple search, advanced search and image search, to check a work in a few minutes.›
Report a workDeclaring a theft, a loss or a suspect work: three procedures, a single aim, finding the work quickly.›