Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Protection

BIOP database

The international database of protected works: 48,200 stolen, lost or suspect works, searchable by all and enriched by police forces and museums.

Updated : October 28, 2026· 4 min read

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The common register of stolen heritage

Gathering among the Members of Office Censor-General (1700s)
Gathering among the Members of Office Censor-General (1700s)

The BIOP database is the world register of stolen, lost or suspect works. It allows a buyer to check in a few seconds that a work is not being sought, and a police force to know what another country's police have already established.

Created in 2009, it now holds 48,200 works. It is fed by reports from owners, museums, police forces and INTERPOL, and consulted every day by hundreds of operators.

This page presents the database, its three levels of access and the rules of operation. The following pages detail the presentation, professional access and law enforcement access.

  • BIOP
  • Database
  • Stolen works

BIOP database in figures

48,200Works listed
1,920Active alerts
3,800Reports received in 2024
24 hTime to publish an alert

Source: OIMAP Heritage Protection Department.

Breakdown

Paintings and drawings34%
Archaeological objects24%
Sculpture16%
Tribal art14%
Other12%

Records by category of property.

What a record contains

Each record describes the work (title, author, date, technique, dimensions), the circumstances of the disappearance (date, place, nature), photographs, distinguishing marks and the contact details of the person to contact. A record receives a unique identifier, linked to the OIMAP number if the work is registered.

Records are checked by an analyst before publication: consistency of information, absence of duplicates, respect for privacy. An owner may ask that their identity not be published; only the BIOP unit then knows it.

Document Box (Ryōshibako) with Chrysanthemum and Plum (lid) (late 1800s-early 1900s)
Document Box (Ryōshibako) with Chrysanthemum and Plum (lid) (late 1800s-early 1900s)
Water Transport Jar (1900s)
Water Transport Jar (1900s)
Teapot with Landscape and Imperial Poem, Chen Hanwen (1762–95)
Teapot with Landscape and Imperial Poem, Chen Hanwen (1762–95)

Three levels of access

Public access makes it possible to search for a work by keywords, by category or by image, and to display the information useful for recognition. Professional access, reserved for approved operators, adds detailed data, the history of consultations and personalised alerts.

Law enforcement access gives authorised officers the sensitive information: circumstances of the theft, ongoing investigations, links with other cases. It is secured by enhanced authentication and logged.

A useful database, strict rules

A public database of stolen works is a powerful tool, which must remain fair. A work appears in it only after verification, and a record is withdrawn as soon as the work is found or the error established. Every person concerned may request the correction of inaccurate information.

The database complies with data protection rules: only the necessary information is published and retention is limited. An independent supervisory committee checks the operation of the BIOP each year.

Continuous improvement of the database

Each year the BIOP unit deals with reported errors, merges duplicates and enriches records with new elements: recovered photographs, police reports, appraisal results. An internal dashboard tracks the rate of complete records, which reaches 87%.

Planned developments concern image recognition, interoperability with national databases and the opening of a programmable interface for approved platforms.

The three levels of access

Three levels, three uses
LevelAudienceContent
AudienceAny internet userSearch, identification records
ProfessionalApproved operatorsDetailed data, alerts
Law enforcementAuthorised officersCircumstances, investigations

Landmarks

  1. Creation

    First 3,000 records.

  2. Exchange with INTERPOL

    Data synchronisation.

  3. Image search

    Visual fingerprint of works.

  4. 48,200 works

    Milestone passed.

Absence from the database is not proof

Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495)
Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495)
Fish or Seal Club (X’ús’) (late 1800s–early 1900s)
Fish or Seal Club (X’ús’) (late 1800s–early 1900s)
Courtyard, Alhambra, Charles Clifford (1857–58)
Courtyard, Alhambra, Charles Clifford (1857–58)

Consulting the database

  1. Describe

    Gather the information on the work.

  2. Search

    Launch a simple search.

  3. Refine

    Use the advanced criteria.

  4. Compare

    Examine the photographs.

  5. Keep

    Archive the dated capture of the consultation.

Good consultation practices

A dealer

Carnet (1863–1865)
« I consult the database the way I check a cheque: it takes two minutes and it has already saved me from a big mistake. »
Pascal Rivière, art dealer

Vocabulary of the database

BIOP record
Entry describing a reported work.
Visual fingerprint
Digital signature of an image.
Authorisation
Right of access to sensitive data.
Striking off
Withdrawal of a record.

Frequently asked questions

Is access free?

Yes for simple search and for approved professional consultation.

How do I correct a record?

Through the contact form.

Does a work that is found stay in the database?

It is removed from the public list but the history is kept.

Where do I report a theft?

Useful documents

Contacts

Small Mosque in the Kaiserbagh, Felice A. Beato (1858)
Small Mosque in the Kaiserbagh, Felice A. Beato (1858)
Heritage Protection DepartmentParis — Headquarters+33 1 00 00 03 00protection@oimap.exampleMonday to Friday, 9 am – 5 pm

Search for a work

Vessel with Abstract Heads (100 BCE–700 CE)

Launch a search in the database.

Search for a work
Image credits (19)
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