Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Protection

Cultural property in armed conflict

Protecting heritage when the guns speak: risk zones, emergency protection, emergency fund and cooperation with field actors.

Updated : October 28, 2026· 4 min read

Pages in this section

When heritage becomes a target

Small Mosque in the Kaiserbagh, Felice A. Beato (1858)
Small Mosque in the Kaiserbagh, Felice A. Beato (1858)

In armed conflicts, heritage is at once a collateral victim and a deliberate target. Looted museums, destroyed sites, collections sold to finance the fighting: the consequences are irreversible. OIMAP acts to prevent them, to respond to them and to repair.

It monitors eighteen risk zones, has an emergency fund of 4.2 million euros and can deploy a team within seventy-two hours. It works with the Blue Shield, UNESCO, ICOM and armed forces trained in the law of armed conflict.

The section presents the risk zones, emergency protection and the emergency fund.

  • Armed conflict
  • Heritage
  • Emergency

Cultural property in armed conflict in figures

18Risk zones monitored
72 hEmergency deployment
€4.2MEmergency fund
64 / 67Member States party to The Hague 1954

Source: OIMAP Heritage Protection Department.

Breakdown

Prevention32%
Emergency intervention28%
Digital documentation22%
Restitution18%

Breakdown of actions.

The three stages of protection

Before the crisis, prevention: inventories, evacuation plans, staff training, marking with the blue and white emblem. During the crisis, intervention: moving to safety, documentation, logistical support, coordination with local actors. After the crisis, repair: restoration, restitution, reconstruction.

Each stage has its OIMAP tools: training, BIOP database, emergency fund, expert teams, restitutions unit. They rely on the 1954 Hague Convention and its protocols.

Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s)
Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s)
Figure from a Crèche: Standing Man (1780–1830)
Figure from a Crèche: Standing Man (1780–1830)
The Grotto of Posillipo, Hubert Robert (c. 1769)
The Grotto of Posillipo, Hubert Robert (c. 1769)

A market under watch

Property from conflict zones sometimes enters the lawful market. To prevent this, OIMAP requires operators to exercise enhanced vigilance: proof of possession predating the conflict, consultation of the list of endangered property, refusal of doubtful provenances.

It publishes a red list of types of property that are particularly threatened, drawn up with ICOM, which helps customs officers and operators recognise objects at risk.

Field partners

OIMAP's work relies on local partners: museums, associations, universities, communities. They know the sites, spot threats and pass on valuable information. OIMAP supports them through training, equipment and project funding.

It also cooperates with armed forces, to whom it offers modules on respect for cultural property, and with humanitarian actors, who are often the first on the ground.

A matter of memory

The destruction of heritage in a conflict often aims to erase a people's identity. That is why its protection is also a matter of peace: rebuilding a monument helps a community to recover its history.

OIMAP upholds the idea that heritage protection is part of emergency humanitarian aid, and argues that the Hague conventions should be better known and applied by all belligerents.

Tools by stage

Three stages
StageObjectiveTools
BeforePreventInventories, training, emblem
DuringProtectIntervention, evacuation, documentation
AfterRepairRestoration, restitution

Landmarks

  1. Hague Convention

    First protection.

  2. Second Protocol

    Enhanced protection.

  3. Emergency fund

    Creation.

  4. Red list

    With ICOM.

  5. 18 zones monitored

    Permanent watch.

Document above all

Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s)
Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s)
Shrine Figure (misi or mishi) (late 1800s-early 1900s)
Shrine Figure (misi or mishi) (late 1800s-early 1900s)
Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia, Louis Haghe (1846)
Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia, Louis Haghe (1846)

Evacuate or protect on site

Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846)

Evacuation

Move the works
  • Puts the property to safety
  • Complex logistics
  • Risk during transport

If danger is imminent.

Saluting Protective Spirit (883–859 BCE)

Protection on site

Wall up, cover, secure
  • No movement
  • Suited to large objects
  • Less effective if the site is targeted

If evacuation is impossible.

Reacting to a crisis

  1. Alert

    Contact OIMAP.

  2. Assess

    List the risks.

  3. Protect

    Move to safety.

  4. Document

    Photograph and inventory.

  5. Rebuild

    Plan for afterwards.

A museum's reflexes

A curator

Landscape with Castle and Shepherds, Achille Etna Michallon (1814)
« We put the most fragile pieces in crates the day before. The next day the building was hit. Without that preparation, we would have lost everything. »
Dr. Rania Haddad, museum curator

Vocabulary of conflict

Blue and white emblem
Sign of protection of cultural property.
Red list
List of particularly threatened property.
Evacuation
Moving to a safe place.
Blue Shield
Network for the protection of heritage in crisis.

Frequently asked questions

Whom to contact in an emergency?

The emergency line: see Contacts.

Does OIMAP operate in combat zones?

No, it supports local actors and operates in safe areas.

Is the emergency fund open to museums?

Yes, on application.

Where can I read the texts?

Useful documents

Contacts

Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani  and Piazza San Marco with Doges' Palace, Francesco Guardi (1773–1778(?))
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and Piazza San Marco with Doges' Palace, Francesco Guardi (1773–1778(?))
Heritage Protection DepartmentParis — Headquarters+33 1 00 00 03 00protection@oimap.exampleMonday to Friday, 9 am – 5 pm

See the risk zones

View of  the Château of Pierrefonds, François-Louis Français (c. 1870)

The 18 zones monitored.

Risk zones
Image credits (19)
▲