Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Member States

Conditions of membership

The four conditions a State must meet in order to apply to OIMAP.

Updated : October 28, 2026· 3 min read

Four conditions to meet

The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760)
The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760)

To be admitted, a State must meet four conditions: be sovereign, ratify or undertake to ratify the reference conventions, appoint a national focal point and adopt the OIMAP Guidelines 2019.

These conditions are part of the membership procedure and determine the calculation of contributions.

  • Conditions
  • Conventions
  • Guidelines 2019

Membership conditions in figures

4Conditions
3Reference conventions
7Binding directives
1One focal point per State

Source: Member States Relations Directorate.

Distribution

Legal conditionsConventions and directives
Administrative conditionsFocal point
Political conditionsSovereign status

Indicative breakdown of the effort required of applicants.

Be a sovereign State

Only sovereign States can become members. Statehood is assessed under international law, notably through recognition by other States and by the United Nations. The Organisation is not meant to settle questions of recognition.

Non-sovereign territories or entities may, depending on the case, take part in certain activities as guests, without voting rights.

Arrival of the "Southern Barbarians" (c. 1600)
Arrival of the "Southern Barbarians" (c. 1600)
Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti) (c 1800s)
Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti) (c 1800s)
Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s)
Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s)

The reference conventions

The applicant ratifies or undertakes to ratify three texts: the 1954 Hague Protocol, which protects cultural property in the event of armed conflict; the 1970 UNESCO Convention, which combats illicit transfers; and the 1995 UNIDROIT Convention, on stolen or illegally exported cultural objects.

Where a ratification is not yet complete, the State presents a precise timetable. The General Assembly takes it into account at the time of the vote and monitors its implementation during the probationary period.

Appoint a focal point

Each State names a national focal point, generally within the administration responsible for heritage. The focal point is the Organisation's permanent contact and appears in the members' area directory as "Heritage Directorate – country".

The role of the focal point is described in the section National focal points.

Adopt the OIMAP Guidelines 2019

The OIMAP Guidelines 2019 comprise seven binding directives. Directive No. 2019-07 sets the rules for authenticating cultural property. The State undertakes to transpose them into its law or administrative practice within a period agreed with the Directorate.

Legal support is offered to States that request it, as part of technical cooperation.

Summary of conditions

Four conditions, four documents
ConditionDocument to provideNote
Sovereign StateNote from the diplomatic missionAssessed under international law
Reference conventionsInstruments of ratification or timetableThree texts
Focal pointLetter of designationOne principal and one alternate
Guidelines 2019Transposition commitmentSeven directives

Milestones

  1. Hague Protocol

    Protection of cultural property.

  2. UNESCO Convention

    Combating illicit transfers.

  3. UNIDROIT Convention

    Stolen or illegally exported property.

  4. OIMAP Guidelines

    Seven binding directives.

Ratification under way

Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, Chōbunsai Eishi (c. 1792)
Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, Chōbunsai Eishi (c. 1792)
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)
Vase (2000–20 BCE)
Vase (2000–20 BCE)

Ratification completed or under way

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)

Completed

Simple file
  • Documents submitted with the file
  • No timetable required
  • Faster review

The smoothest case.

Kubjika–Navatman (1300s)

Under way

File with timetable
  • Dated timetable
  • Monitoring during the probationary year
  • Progress report

Possible, under monitoring.

Check your conditions

  1. Status

    Confirm statehood.

  2. Conventions

    Take stock of ratifications.

  3. Focal point

    Choose the department.

  4. Guidelines

    Assess transposition.

  5. File

    Gather the documents.

Checklist

A heritage department head

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)
« The conditions are clear and realistic: we were able to move forward on ratification while preparing the file. »
Rafael Montes, heritage department head (example)

Vocabulary

Ratification
Act by which a State undertakes to abide by a treaty.
Transposition
Incorporation of a standard into national law.
Binding directive
Standard that is mandatory for Member States.
Alternate
Person who stands in for the focal point.

What is not required

The Organisation imposes no level of art market development, no minimum size of heritage and no regional affiliation. A small State rich in archaeological sites has its full place here, as does a major market centre.

The scale of contributions takes these differences into account, so that membership remains accessible to all.

Frequently Asked Questions

Must all three conventions have been ratified?

No, a dated commitment to ratify is sufficient.

Can a territory join?

No, only sovereign States can.

Who is the focal point?

See Role.

What happens afterwards?

Useful Documents

Contacts

The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76)
The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76)
Member States Relations DirectorateParis — Headquarters+33 1 00 00 08 00membres@oimap.exampleMonday to Friday, 9 a.m.–5 p.m.

Move on to the procedure

Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439)

The application steps.

Procedure
Image credits (17)
  • Seven Jeweled Mountain (late 1800s) — Cleveland Museum of Art, CC0 1.0
  • The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
  • Arrival of the "Southern Barbarians" (c. 1600) — Cleveland Museum of Art, CC0 1.0
  • Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti) (c 1800s) — Cleveland Museum of Art, CC0 1.0
  • Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s) — Cleveland Museum of Art, CC0 1.0
  • Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, Chōbunsai Eishi (c. 1792) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • Vase (2000–20 BCE) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • Kubjika–Navatman (1300s) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76) — Cleveland Museum of Art, CC0 1.0
  • Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
  • Third Print from A Low Tide Pentaptych, Utagawa Kuniyoshi (c. 1830) — Cleveland Museum of Art, CC0 1.0
  • Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
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