Forty articles in five chapters

The 1954 Convention has forty articles, divided into seven chapters, and is accompanied by regulations for its execution. This page presents each set of provisions, referring to the official text.
The official full text is published by UNESCO, depositary of the Convention. The presentation below gives an annotated reading of it, intended for market operators and administrations.
Citations of articles are indicative; only the official version is authoritative.
Full text of the 1954 Hague Convention in figures
Source: OIMAP Legal Affairs Department.
Definitions and basic obligations
The first chapter defines cultural property: movable or immovable property of great importance to the cultural heritage of peoples, buildings intended to shelter or exhibit it, monumental centres. This broad definition covers a painting as well as an archaeological site.
States undertake to safeguard their property in peacetime and to respect that of the enemy in wartime. They are forbidden to use this property for purposes that would expose it to destruction, and to pillage or requisition it.



Special protection, transport and distinctive sign
A limited number of refuges sheltering movable cultural property and monumental centres may be placed under special protection, provided they are far from any military objective. Immunity is then strengthened and can be lifted only in exceptional cases.
Special provisions govern the transport of cultural property, including under special protection. The distinctive sign, a pointed blue and white shield, may be repeated three times for property under special protection.
Why reread a 1954 text today
Recent conflicts have shown the persistence of looting and deliberate destruction. Debates on the restitution of works from conflict zones, on the responsibility of operators and on the traceability of excavations all rely, to varying degrees, on the 1954 text.
For a market operator, knowing the Convention is not a luxury: it sheds light on why certain provenances trigger particular vigilance, and why certain restitution claims are hard to contest.
Overview of the chapters
| Chapter | Content | Articles |
|---|---|---|
| I | General provisions on protection | 1 to 7 |
| II | Special protection | 8 to 11 |
| III | Transport of cultural property | 12 to 14 |
| IV | Personnel | 15 |
| V | Distinctive sign | 16 to 17 |
| VI | Scope of application | 18 to 19 |
| VII | Execution of the Convention and final provisions | 20 to 40 |
Landmarks
- Adoption
Hague Conference.
- Entry into force
Five ratifications.
- Second Protocol
Completes the text.
- Accessions
Ratified by a large number of States.
A reading to be nuanced
Special protection or ordinary protection

Special protection
Property entered in the register- Strengthened immunity
- Distance from any military objective
- International supervision
Exceptional regime.

Ordinary protection
All cultural property- Respect and safeguarding
- Waiver for military necessity
- Fewer formalities
General regime.



Reading an article of the Convention
- Spot
Identify the article concerned.
- Read
Understand the obligation.
- Search
Consult the official commentary.
- Check
Examine the national transposition law.
- Apply
Adapt to your case.
Provisions useful to operators
A diplomat

« The 1954 texts were written in the urgency of the post-war period. They remain cruelly topical. »
Vocabulary of the text
- Depositary
- State or organisation that keeps a treaty.
- Ratification
- Formal commitment by a State to respect a treaty.
- Regulations for execution
- Text specifying implementation.
- Refuge
- Place intended to shelter cultural property.
Frequently asked questions
Where can I find the official version?
On the UNESCO website, depositary of the Convention.
Is the text available in French?
Yes, it is one of the official languages.
Who monitors application?
The States, with the help of UNESCO and cultural property commissioners.
How does OIMAP implement it?
See the Application page.
Useful documents
Contacts

See the protocols
Image credits (16)
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- Karnak, Les Pylônes d'Horus, Henri Béchard (1860s) — Cleveland Museum of Art, CC0 1.0
- Eighteen Views of Rome: The Piazza Farnese (recto), Lievin Cruyl (1664) — Cleveland Museum of Art, CC0 1.0
- Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- View of the Gulf of Pozzuoli from Solfatara, Philipp Hackert (1803) — Cleveland Museum of Art, CC0 1.0
- Capriccio: A Palace with a Courtyard by the Lagoon, Antonio Canaletto (c. 1750–55) — Cleveland Museum of Art, CC0 1.0
- Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, Louis Haghe (1842–49) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Temple at Naveshera, Kashmir, India, Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Sketch of the Labyrinth of the Villa Pisani, Francesco Guardi (1773–1778(?)) — Cleveland Museum of Art, CC0 1.0
- Roman Ruins, Villa Pamfili, Hubert Robert (1774) — Cleveland Museum of Art, CC0 1.0
- The Grotto of Posillipo, Hubert Robert (c. 1769) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- Pastoral Landscape with Ruins and a Ford, Gerhardt Janssen (1722) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Hague Protocol 1954The 1954 Hague Convention and its protocols: protecting cultural property in the event of armed conflict.›
Additional Hague ProtocolsThe First Protocol of 1954 and the Second Protocol of 1999: return of exported property, enhanced protection and criminal responsibility.›
UNESCO Convention 1970The 1970 Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property.›