Pages in this section
Regulation of the digital marketThe legal framework of digital works and NFTs: rights, platform obligations, taxation and the fight against money laundering.›
Blockchain certificationHow an OIMAP certificate is anchored in a distributed registry: operation, benefits, limits and verification.›
Approved platformsThe 38 digital platforms approved by OIMAP: criteria, list, guarantees and advice for use.›
A young market, now regulated

The digital art market accounts for €1.2 billion in 2024: works born digital, tokens backed by physical works and sales on platforms. After the excesses of 2021, it is normalising under the effect of regulation and the approval of platforms.
OIMAP distinguishes three objects: the original digital work, the token (NFT) backed by a physical work, and the token alone, without an underlying work. Each has its legal regime and its risks.
This section includes three pages: regulation, blockchain certification and approved platforms.
Digital market and NFTs in figures
Source: OIMAP Observatory.
The three pages of the section



Three objects not to be confused
The original digital work is a creation designed to exist as a file or code: image, animation, interactive installation. Its value is that of the work, as with any other. The backed token is a digital certificate linked to a physical work: it proves a right over it, without replacing it. The token alone, finally, is a speculative asset with no identifiable work, whose value depends only on the market.
This distinction governs the buyer's rights. Acquiring a token does not give ownership of the work, unless a contract says so. It is the source of most disputes in the sector.
What approval changes
Since 2022, platforms that sell art tokens must be approved. Approval requires identity checks on sellers, consultation of the BIOP database, publication of the terms of sale and a mediation mechanism. It also guarantees that the token is linked to an OIMAP certificate when it is backed by a physical work.
Approved platforms have regained buyers' trust: the dispute rate there is 0.7% against 6.2% for unapproved platforms.
Digital in the service of the physical market
Beyond NFTs, digital technology is transforming the traditional market: online work passports, verifiable certificates, provenance tracking, remote sales, virtual visits. These tools reduce costs, speed up transactions and make markets more accessible.
OIMAP digital certification meets this need: it links the paper certificate to a tamper-proof record, verifiable online in a few seconds. It accounts for 1,247 certificates in 2024, i.e. 10% of the total.
The three categories
| Category | Buyer's right | Main risk | Regulation |
|---|---|---|---|
| Original digital work | Ownership of the digital work | Copying, plagiarism | Copyright |
| Backed token | Right over the physical work | No real link | Certification required |
| Token without a work | No right over a work | Speculation | Financial rules |
Landmarks
- First art tokens
Experiments.
- Speculative peak
Volume of €3.3bn.
- Approval of platforms
Creation of the OIMAP regime.
- €1.2bn
Stabilised market.
A token is not a title of ownership



Approved platform or unapproved platform

Approved
Controlled by OIMAP- Verified sellers
- Built-in mediation
- Tokens linked to a certificate
Recommended choice.

Unapproved
No control- Anonymity of sellers
- No recourse
- High fraud risk
To be avoided for large amounts.
Buying a digital work safely
- Choose
Select an approved platform.
- Check
Seller's identity and certificate.
- Read
Conditions and rights transferred.
- Buy
Pay by traceable means.
- Preserve
Archive proofs and keys.
Reflexes of prudence
A digital artist

« My work exists only as code. The certificate lets me prove who created it and when. »
Vocabulary of digital
- NFT
- Non-fungible token, unique digital certificate.
- Blockchain
- Distributed and time-stamped registry.
- Backed token
- Token linked to a physical work.
- Wallet
- Tool for storing tokens.
Frequently asked questions
Is an NFT a work of art?
Not in itself: it is a certificate. The work is what it designates.
How do I verify a backed token?
Through the OIMAP certificate: see digital certifications.
Are sales taxed?
Yes, according to the rules of the buyer's State.
What should be done in case of fraud?
Useful documents
Contacts

Read the regulation
Image credits (23)
- Lampas with foliate medallions in ogival lattice (1400s) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles, an Immortal, and Auspicious Animals (25–100 CE) — Cleveland Museum of Art, CC0 1.0
- TLV Mirror with Multiple Nipples (9–23 CE) — Cleveland Museum of Art, CC0 1.0
- Boy with Cigar (c. 1855) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Naval Officer, Lai Fong (1870s) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles and Linked Arcs (late 300s BCE–50 CE) — Cleveland Museum of Art, CC0 1.0
- Jar with Stamped Decoration (1400s) — Cleveland Museum of Art, CC0 1.0
- Vessel with Abstract Heads (100 BCE–700 CE) — Cleveland Museum of Art, CC0 1.0
- Fortified Peak, Near the Tank, Ulwur, Louis-Théophile Marie Rousselet (1865–68, published 1869–70) — Cleveland Museum of Art, CC0 1.0
- Silk fragment with scrolling vines, grape leaves, grapes, and birds (1325–50) — Cleveland Museum of Art, CC0 1.0
- Turtleback Reading Lamp, Tiffany Glass & Decorating Company (c. 1895–1902) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles (late 300s BCE–50 CE) — Cleveland Museum of Art, CC0 1.0
- Kenilworth Castle, Warwickshire, England, Adolphe Braun (c. 1870s) — Cleveland Museum of Art, CC0 1.0
- Courtyard, Alhambra, Charles Clifford (1857–58) — Cleveland Museum of Art, CC0 1.0
- Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), Henri d'Orquevaulx (c. 1420–30) — Cleveland Museum of Art, CC0 1.0
- Water Transport Jar (1900s) — Cleveland Museum of Art, CC0 1.0
- The Music Teacher's Wife (c. 1850s) — Cleveland Museum of Art, CC0 1.0
- Small Mosque in the Kaiserbagh, Felice A. Beato (1858) — Cleveland Museum of Art, CC0 1.0
- Prayer Niche (Mihrab) (c. 1500s or mid-1900s) — Cleveland Museum of Art, CC0 1.0
- Rue du Regard, Eugène Atget (1899) — Cleveland Museum of Art, CC0 1.0
- Arion on a Sea Horse and Bacchante on a Panther (pair), William Adolphe Bouguereau (1855) — Cleveland Museum of Art, CC0 1.0
- Letter Box, Ogata Kōrin (1700s) — Cleveland Museum of Art, CC0 1.0
- Fragment of a Border with Standing and Seated Birds Amidst Vegetation (1500s) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


Regulation of the digital marketThe legal framework of digital works and NFTs: rights, platform obligations, taxation and the fight against money laundering.›
Blockchain certificationHow an OIMAP certificate is anchored in a distributed registry: operation, benefits, limits and verification.›
Approved platformsThe 38 digital platforms approved by OIMAP: criteria, list, guarantees and advice for use.›
Digital certificationsA time-stamped fingerprint and a token backed by the paper certificate to follow a work's history without ever separating it from its file.›