Pages in this section
Observe: the market observation missionHow OIMAP collects, checks and publishes data on the global art and heritage market.›
Regulate: standards and directivesHow OIMAP develops common standards: binding directives, recommendations and the international legal framework.›
Protect: BIOP, alerts and restitutionsOIMAP's protection mission: database of stolen works, alerts, coordinated operations and restitutions.›
Certify: certificates and artwork passportsThe certification mission: authenticity, provenance, title of ownership and digital passport issued by the OIMAP Desk.›
Six missions, a single mandate

Since 2007, OIMAP has exercised a single mandate broken down into six complementary missions. This section presents the four missions that affect the public most directly: observing, regulating, protecting and certifying.
The training and arbitration missions are detailed in the Training and Arbitration sections. Each mission relies on a directorate of the General Secretariat and on public indicators.
The six missions of OIMAP in figures
Source: OIMAP General Secretariat.
Why six missions
The art and heritage market is a space where economic, scientific and cultural interests intersect. No single function is enough to make it safe. The Organization has therefore built its mandate as a coherent whole, in which each mission feeds the others.
Observing provides the data, regulating draws rules from it, protecting and certifying apply them to specific works, training spreads good practice and arbitrating settles the disputes that remain.



A continuous chain
An example illustrates this continuity. An unusual rise in sales of archaeological objects appears in the statistics. The Member States then adopt a recommendation, the BIOP database is consulted before every sale and customs officers receive targeted training.
None of these steps replaces the others. It is their sequence that gives the system its strength, which is why the missions are presented together on this page.
Who does what
Each mission is carried by an identified directorate: Market and Studies for observation, Regulation and Law for standards and arbitration, Protection for the BIOP, Certification for the Desk and OIMAP Academy for training.
The Secretary-General, Dr Philippe Aubert de Vincelles, coordinates the whole and reports on the execution of the mandate to the General Assembly, which will meet in Singapore from 10 to 12 June 2026 for its 19th session.
What the missions are not
OIMAP is neither a police force nor a national court. It does not seize works, does not convict anyone and does not replace State authorities. It alerts, coordinates, certifies and proposes frameworks that States apply.
This restraint is deliberate. It ensures that the Organization remains a trusted third party, accepted by States and market professionals alike.
The six missions at a glance
| Mission | In practice | Lead directorate |
|---|---|---|
| Observe | Market barometer, statistics | Market and Studies |
| Regulate | Directives and recommendations | Regulation and Law |
| Protect | BIOP, alerts, restitutions | Protection |
| Certify | Certificates and artwork passports | Certification |
| Train | Programmes for officers and experts | OIMAP Academy |
| Arbitrate | Mediation and arbitration | Regulation and Law |
Milestones
- Initial mandate
Observe, regulate, protect.
- Train
Creation of the OIMAP Academy.
- Certify
Opening of the Desk.
- OIMAP Directives
Seven binding directives.
A mandate that has grown



Normative and operational missions

Normative missions
Observe, regulate- Produce rules
- Rely on data
- Voted by the States
A common framework.

Operational missions
Protect, certify, train, arbitrate- Handle cases
- Serve professionals
- Monitored by indicators
A concrete effect.
Choosing the right mission
- Identify the need
Data, rule, protection or service.
- Open the page
Observe, regulate, protect or certify.
- Follow the links
Detailed section of the site.
- Contact
If needed, via the form.
Key points
A museum director

« Seeing the six missions as a chain, and not as six desks, helped us understand when to approach the Organization. »
Glossary
- Mandate
- All the missions entrusted to the Organization by its Member States.
- Guideline
- Binding standard adopted by the General Assembly.
- BIOP
- Database of stolen works managed by the Protection Directorate.
- Work passport
- Digital document bringing together the identity and history of a work.
Where to start
Depending on your need, choose the closest mission: consulting data, understanding a rule, reporting a stolen work or obtaining a certificate. Each of the pages below links to the detailed sections of the site.
If you are unsure, the form in the Contact section can direct your request to the right service.
Frequently asked questions
Are all the missions free of charge?
Data and alerts are public; some Desk services give rise to fees. See Fees.
Can OIMAP seize a work?
No. It alerts and coordinates; seizure is a matter for national authorities.
Who sets the priorities?
The General Assembly, on a proposal from the Executive Council.
Where can the Train mission be found?
In the Training section.
Useful documents
Contacts

Discover the Observe mission
Image credits (21)
- Side Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Interior Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Boy with Anchor, Winslow Homer (1873) — Cleveland Museum of Art, CC0 1.0
- Farmhouse on the Slope of a Hill, Fra Bartolommeo (c. 1508) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- Portrait of Isabella Brant, Peter Paul Rubens (c. 1620–25) — Cleveland Museum of Art, CC0 1.0
- Twilight in the Wilderness, Frederic Edwin Church (1860) — Cleveland Museum of Art, CC0 1.0
- Christ in the Garden of Gethsemane, Hans Daucher (1500s) — Cleveland Museum of Art, CC0 1.0
- View of the Gulf of Pozzuoli from Solfatara, Philipp Hackert (1803) — Cleveland Museum of Art, CC0 1.0
- Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson (1872) — Cleveland Museum of Art, CC0 1.0
- The Brook, Paul Cezanne (c. 1895–1900) — Cleveland Museum of Art, CC0 1.0
- Bowl with Chrysanthemums, Seifū Yohei IV (1914–46) — Cleveland Museum of Art, CC0 1.0
- Head of a Woman (400–200 BCE) — Cleveland Museum of Art, CC0 1.0
- Cabinet Plate, W. T. Copeland & Sons (1883) — Cleveland Museum of Art, CC0 1.0
- Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s) — Cleveland Museum of Art, CC0 1.0
- Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), Lievin Cruyl (1664) — Cleveland Museum of Art, CC0 1.0
- Saint Mary Magdalen, Simon Vouet (c. 1630) — Cleveland Museum of Art, CC0 1.0
- Banks of the Oise at Dawn, Louis Hayet (1888) — Cleveland Museum of Art, CC0 1.0
- Portrait of Machtelt Suijs, Maerten van Heemskerck (c. 1540–45) — Cleveland Museum of Art, CC0 1.0
- Marie-Yolande de Fitz-James, Henri Fantin-Latour (1867) — Cleveland Museum of Art, CC0 1.0
- The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Su (c. 1820–30) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Observe: the market observation missionHow OIMAP collects, checks and publishes data on the global art and heritage market.›
Regulate: standards and directivesHow OIMAP develops common standards: binding directives, recommendations and the international legal framework.›
Protect: BIOP, alerts and restitutionsOIMAP's protection mission: database of stolen works, alerts, coordinated operations and restitutions.›
Certify: certificates and artwork passportsThe certification mission: authenticity, provenance, title of ownership and digital passport issued by the OIMAP Desk.›