Cleveland Museum of Art · CC0 1.0Watch the talks again
This collection brings together the lectures filmed at the Organization's 24 annual meetings, the regional seminars and the Digital Market Forum. Each video corresponds to a complete talk, with questions from the floor.
Presentation materials are attached when the speaker has authorised it. Written proceedings are published within 90 days.
For more, see the field reports and the interviews.
Filmed lectures in figures
Source: Events and Communications Directorate.
Contents of the collection
The lectures cover the sector's major topics: provenance, restitution, taxation, insurance, digital art, the fight against trafficking. Each is introduced by a notice giving the context, the speakers and the key points addressed.
The discussions with the audience are kept, as they often provide practical clarifications.
The regional seminars
The seminars for Africa, Asia-Pacific and the Americas are recorded in full. Talks are in the speaker's language, with subtitles in French, English and Spanish.
This collection makes it possible to compare practices from one region to another.
The Digital Market Forum
The two-day Forum brings together about 1,200 participants and 60 speakers. Sessions are available as a free replay for twelve months, then added to the permanent collection.
The practical workshops, filmed more simply, are valuable material for training.
Materials and proceedings
The proceedings are published within 90 days in the publications section. They contain the speakers' texts, revised by their authors, and transcripts of the discussions.
Each video links to the corresponding proceedings, once published.
Flagship lectures
| Meeting | Format | Availability |
|---|---|---|
| General Assembly | Plenary sessions | Replay of public sessions |
| Digital forum | Two days | Twelve months, then archive |
| Regional seminars | Two per region | Permanent archive |
| Thematic lectures | Half a day | Permanent archive |
Milestones
- Start of recordings
Lectures in Paris.
- Regional seminars
Recordings in Nairobi and Singapore.
- Online Forum
Twelve-month replay.
- 240 videos
Extended collection.
Speakers
Live or replay
Live
During the event- Online questions
- Moderated chat
- Fixed schedule
To take part.
Replay
After the event- Free viewing
- Subtitles
- Access to materials
To go deeper.
Watching a lecture
- Search
Theme or event.
- Read the notice
Speakers.
- Watch
With subtitles.
- Download
Materials.
- Cite
With timestamps.
Good citation practices
A participant
« The Forum replay allowed me to follow the sessions I had not been able to attend, with the slides next to the video. »
Vocabulary
- Plenary
- Session bringing together all participants.
- Proceedings
- Written collection of the talks.
- Replay
- Rebroadcast of a recording.
- Timestamp
- Time marker in a video.
Citing a conference
A lecture is cited by the speaker's name, the title, the event and the date, followed by the video's permanent link. Quoted excerpts must not exceed one minute without prior agreement.
A timestamp makes it possible to point to a specific passage, which is useful for academic work.
Frequently asked questions
Are the conferences free?
Yes.
When are the proceedings published?
Within 90 days.
Can I watch the Forum?
Yes, as a free replay for twelve months.
Where to see the field reports?
See Field reports.
Useful documents
Contacts
Related pages
Video library480 videos in open access: filmed lectures, field reports and interviews, with subtitles in three languages.›
ReportsShort field films: restitution operations, training, restorations and behind the scenes of the art market.›
InterviewsConversations with curators, magistrates, collectors and OIMAP officials about their profession and their vision of the sector.›
Forum replayWatch the Forum sessions again free of charge for twelve months: access, formats, subtitles, materials and reuse.›
See the field reports
Image credits (17)
- Boy with Cigar (c. 1855) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- La Belle Jardinère: le magasin de la rue de la Cité pendant sa demolition, Paris, Charles Marville (1864–66) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- The Music Teacher's Wife (c. 1850s) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- Kenilworth Castle, Warwickshire, England, Adolphe Braun (c. 1870s) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- Fortified Peak, Near the Tank, Ulwur, Louis-Théophile Marie Rousselet (1865–68, published 1869–70) — Cleveland Museum of Art, CC0 1.0
- The Grotto of Posillipo, Hubert Robert (c. 1769) — Cleveland Museum of Art, CC0 1.0
- Panel (c. 1780–1840) — Cleveland Museum of Art, CC0 1.0
- Futtypore Sikri—Two of the Marbled Screens in the Tomb of Sheik Selim Chisti, Samuel Bourne (1866) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- Boy with Anchor, Winslow Homer (1873) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0