What the seller promises

A warranty is the seller's promise about the quality of what is sold. In the art market, it covers authenticity, conformity to the description, ownership and sometimes the state of conservation. It is rarely discussed as long as all goes well, and becomes central when a problem appears.
Warranty disputes account for 9% of requests. They often overlap with authenticity and provenance disputes, but concern specifically the contractual scope of the seller's undertaking.
This page presents the types of warranty, their duration and their implementation.
Warranty disputes in figures
Source: Registry of the OIMAP Arbitral Tribunal.
Types of warranty
The warranty of authenticity concerns attribution to an artist. The warranty of conformity concerns the description: dimensions, technique, period. The warranty of title ensures that the seller is the owner and that the work is free of encumbrances. The warranty of condition concerns restorations and damage.
Each warranty has its own scope. The contract must be precise: a warranty of authenticity does not carry a warranty of condition, and vice versa.



Duration, limits and clauses
The usual duration of the warranty of authenticity is five years from the sale. Beyond that, the buyer may still act on other grounds, but proof becomes more delicate. Some warranties are perpetual, others limited to an amount (reimbursement of the price).
Limiting or exonerating clauses are allowed to the extent that the applicable law permits, but the tribunal interprets them strictly, particularly when the seller is a professional and the buyer is not.
Enforcing the warranty
A buyer who finds a defect must notify it within a reasonable time, in writing, with the evidence. The buyer must keep the work as it is. The seller may propose a joint appraisal, a price reduction or taking the work back.
Failing agreement, the matter is brought before the tribunal. It examines the defect, the scope of the warranty and any limits, and decides on the solution: reimbursement, reduction, damages or dismissal.
Comparing warranties before buying
Warranties vary from one house to another. Before bidding, read the conditions of sale, compare durations and remedies, and ask the house about its practice in the event of a challenge. A solid warranty is a component of the price.
OIMAP publishes a guide comparing usual warranties and a model notification form. The Market section details these practices.
Usual warranties
| Warranty | Usual duration | Main remedy |
|---|---|---|
| Authenticity | 5 years | Reimbursement of the price |
| Conformity | 2 years | Price reduction |
| Title | Unlimited | Eviction, damages |
| Condition | 1 to 2 years | Repair or reduction |
Milestones
- Warranty
Handing over of the certificate.
- Notification
Dated writing.
- Evidence
Report.
- Procedure
TAO.
Notify without delay



Strict warranty or limiting clause

Strict
Full warranty- Full reimbursement
- Buyer's security
- Price often higher
Standard of the major houses.

Limiting
Restricted warranty- Ceiling or limited duration
- Lower price
- To be read carefully
Depending on the sale.
Invoking a warranty
- Read
The terms.
- Notify
In writing.
- Appraise
Adversarially.
- Negotiate
Mediation.
- Refer
If necessary.
Items to keep
A collector

« The warranty was clear, the notification made in time, the appraisal consistent: the reimbursement arrived in three months. »
Vocabulary of warranty
- Warranty against eviction
- Warranty against loss of ownership.
- Limiting clause
- Clause reducing liability.
- Remedy
- Solution granted to the buyer.
- Notification
- Dated written information.
Frequently asked questions
Is a warranty automatic?
Depending on the applicable law and the contract.
Can the warranty be transferred?
According to the terms of the contract.
Is OIMAP certification a warranty?
No, but it documents the work.
Where can I see authenticity?
Useful documents
Contacts

See authenticity disputes
Image credits (16)
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- Yokkaichi: View of the Mie River, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (c. 1833–34) — Cleveland Museum of Art, CC0 1.0
- Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
- Seal with Two Qilin Playing (1849) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- Christ Driving the Money Changers from the Temple, Rembrandt van Rijn (1635) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Carved Lacquer Scroll Box (1736–95) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Plate: Diana and Acteon, Maestro Giorgio Andreoli (1522) — Cleveland Museum of Art, CC0 1.0
- Creamer, Louis Rorimer (c. 1910) — Cleveland Museum of Art, CC0 1.0
- The Old Market, Cleveland, Frank Wilcox (1920) — Cleveland Museum of Art, CC0 1.0
- Painting Enthusiasts at Auction House Bouillon, Honoré Daumier (1862, printed 1920) — Cleveland Museum of Art, CC0 1.0
- At the Market, Camille Pissarro (late 1800s) — Cleveland Museum of Art, CC0 1.0
- Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), Henri d'Orquevaulx (c. 1420–30) — Cleveland Museum of Art, CC0 1.0
- Document Box (Ryōshibako) with Chrysanthemum and Plum (lid) (late 1800s-early 1900s) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Contract disputesSales, deposits, warranties: a third of the TAO's cases concern the performance of art-market contracts.›
Sales disputesNon-payment, late delivery, non-conformity, costs: art sales disputes and their settlement before the TAO.›
Authenticity disputesWhen the attribution of a work is contested: principles, appraisal and TAO decisions on authenticity.›