Pages in this section
Presentation of the AcademyHistory, mission, teaching methods and commitments of the OIMAP Academy since its creation in 2008.›
Teaching staff86 trainers, practitioners and academics: who teaches at the Academy, how they are chosen and evaluated.›
Academy campusesParis, Nairobi, Singapore: three campuses, their facilities, their programmes and practical information on how to get there.›
A school at the heart of the Organisation

The OIMAP Academy is the Organisation's training service. It designs and delivers programmes for professionals who protect, appraise, sell, judge or conserve works. It is headed by Pr. Claire Dumontier.
It relies on three campuses, 86 trainers and an independent teaching committee. Its diplomas are recognised by Member States and several partner universities.
This section presents the presentation, the campuses and the teaching staff.
OIMAP Academy in figures
Source: OIMAP Academy.
Three pages



Mission and values
The Academy's mission is to spread the skills needed for the protection and lawful circulation of cultural property. Its values are excellence, independence, openness and ethics. It refuses any training that would promote a particular operator.
A code of conduct applies to trainers and trainees: confidentiality of the cases studied, respect for communities, refusal of any conflict of interest.
Governance and quality
A teaching committee of twelve members approves the programmes, evaluates trainers and proposes changes. Each session is evaluated by the trainees, and the results are published in an annual report. The Academy follows a certified continuous-improvement approach.
The certification programmes are accredited by partner universities, which makes it possible to award transferable teaching credits.
Partnerships
The Academy works with INTERPOL, the World Customs Organization, UNESCO, museums and universities. These partners provide speakers, practical cases and placements. They help adapt content to local realities.
Each year it hosts researchers in residence who develop new teaching tools and publish their work in the teaching library.
A community
The Academy is also a community: alumni forums, annual meetings, thematic working groups. These spaces allow professionals to continue exchanges after their training.
Each year it organises a conference open to all, devoted to a topical theme: digital technology, restitutions, climate and conservation.
The Academy in figures
| Indicator | Value |
|---|---|
| Trainees since 2008 | 12,400 |
| Sessions per year | 410 |
| Satisfaction rate | 94% |
| Employment rate at six months | 88% |
Milestones
- Creation
Paris campus.
- Nairobi
Second campus.
- Online
Platform.
- Singapore
Third campus.
- 14 universities
Partnerships.



Teaching independence
Campus or platform

Campuses
On site- Workshops
- Network
- Immersion
For long pathways.

Platform
Remote- Flexibility
- Reduced cost
- Autonomy required
For short courses.
Joining the Academy
- Choose
Programme.
- Apply
File.
- Be admitted
Answer within 15 days.
- Study
Follow the courses.
- Graduate
Exams.
What you find there
The director

« We train practitioners, not spectators. Each trainee leaves with methods they can apply the very next day. »
Vocabulary of the Academy
- Campuses
- Teaching site.
- Teaching committee
- Body approving the programmes.
- Accreditation
- Recognition of a programme.
- Transferable credit
- Unit recognised by several institutions.
A lasting commitment
The Academy measures its impact over the long term: three years after training, a survey assesses the use of the skills acquired, career developments and concrete achievements — seizures, certificates issued, restitutions obtained.
These results guide the creation of new programmes and changes to content.
To go further
The Academy's reception service answers practical questions Monday to Friday, in French, English and Spanish, and can direct each visitor to the programme, scholarship or free resource that fits their situation. A guidance counsellor also offers a thirty-minute individual meeting, by appointment, to build a realistic training pathway.
Trainees' feedback is valuable: each session gives rise to a questionnaire, and the most useful suggestions are examined each quarter by the teaching committee. Do not hesitate to write to report a difficulty, propose a subject or tell us what the training has changed in your practice.
Frequently asked questions
Who heads the Academy?
Pr. Claire Dumontier.
Are the diplomas recognised?
By Member States and universities.
Are there research residencies?
Yes.
Where can I see the campuses?
See Campuses.
Useful documents
Contacts

Discover the campuses
Image credits (23)
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- St. Anthony Reading, Albrecht Dürer (1519) — Cleveland Museum of Art, CC0 1.0
- Corner Cabinet, René Dubois (c. 1765–1770) — Cleveland Museum of Art, CC0 1.0
- Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro (1879) — Cleveland Museum of Art, CC0 1.0
- Farmhouse on the Slope of a Hill, Fra Bartolommeo (c. 1508) — Cleveland Museum of Art, CC0 1.0
- A Lady Reading, Francis Seymour Haden (1833–1910) — Cleveland Museum of Art, CC0 1.0
- The Shepherd, Paulus Potter (1644) — Cleveland Museum of Art, CC0 1.0
- Bookplate: Boylston Medical Library, George Girdler Smith (1806–39) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- High Class Students and Teachers at Bishop Cotton School, Shimla (verso), Raja Deen Dayal (c. 1882–87) — Cleveland Museum of Art, CC0 1.0
- Study for "Bathers at Asnières", Georges Seurat (c. 1883–84) — Cleveland Museum of Art, CC0 1.0
- Woman Sitting Reading , Georges Lemmen (1905) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- Self-Portrait with Five Muses, Henry Church (c. 1880) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- Fragment of a belt (hizam) (1800s) — Cleveland Museum of Art, CC0 1.0
- The Pyramid of Cestius, Rome, Michiel van Overbeek (c. 1650–80) — Cleveland Museum of Art, CC0 1.0
- Towel End (c 1700s- 1800s) — Cleveland Museum of Art, CC0 1.0
- Side Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Miniature Teapot, Mikhail Evlampievich Perkhin (1886–96) — Cleveland Museum of Art, CC0 1.0
- Artist with His Palette and Brushes (c. 1855) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Man, Gustave Caillebotte (1880) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


TrainingThe OIMAP Academy trains judges, customs officers, market professionals, experts and curators: certification programmes, online training, scholarships and regional sessions.›
Presentation of the AcademyHistory, mission, teaching methods and commitments of the OIMAP Academy since its creation in 2008.›
Academy campusesParis, Nairobi, Singapore: three campuses, their facilities, their programmes and practical information on how to get there.›
Teaching staff86 trainers, practitioners and academics: who teaches at the Academy, how they are chosen and evaluated.›