The essentials of 2024 in twelve pages

In 2024, the global art market reached €67.8 billion, up 5.8%. Growth is driven by Asia-Pacific, the Middle East and recent segments.
This page reproduces the content of the printed summary: the key figures, movements by segment and by region, the major sales, regulatory developments and the outlook for 2025.
For the detail of each chapter, see the full report.
Key figures
Source: OIMAP Observatory, 2024.



What changed in 2024
The first development is the recovery of high-end sales: 112 lots exceeded €5 million, against 94 in 2023. The second is the fall in the unsold rate, from 33% to 31%, a sign of better alignment between estimates and market prices.
The third concerns trust: BIOP alerts consulted before a sale rose by 38%, and provenance disputes decreased. Traceability is becoming a competitive advantage for sellers.
Major sales of the year
| Rank | Work | Price |
|---|---|---|
| 1 | Crépuscule sur la Neva | €74.3M |
| 2 | Jardin de pierres noires | €61.8M |
| 3 | Falaises d'Étretat | €52.1M |
| 4 | Royal Songye Mask | €38.7M |
| 5 | Nature morte aux grenades | €34.2M |
Full ranking: Top 10 sales.
The outlook for 2025
- Resumption of spring sales
A busier calendar than in 2024.
- Entry into force of new rules
Reinforced controls on platforms.
- Fairs in Asia-Pacific
Continued regional growth.
- Autumn sales
Expected at a high level.
Cautious forecasts
High-end market or ordinary market

High-end
Lots above €5M- 112 lots in 2024
- Highly concentrated
- Sensitive to the economic outlook
Carry the records.

Ordinary market
Lots below €50,000- 88% of lots
- Median price €4,200
- More stable
Carry the volume in numbers.
What players can do with these figures



The director's word

« The market is bigger, but above all more transparent. That is the real good news of 2024. »
Vocabulary of the summary
- High-end
- Lots sold for more than five million euros.
- Unsold rate
- Share of lots not sold.
- BIOP alert
- Report of a stolen or disputed work.
- Range
- Forecast interval.
Reading the summary in three minutes
Remember three ideas. First idea: the market has regained solid growth, above 5%, after two years of slowdown. Second idea: the geography of the market is changing, with a rapid rise of Asia-Pacific and the Middle East, even though North America keeps first place with 40% of the volume.
Third idea: trust is becoming a price factor. Lots accompanied by a certificate and verifiable provenance sell for more and more often. For a seller, having a work certified before presenting it is no longer merely a precaution: it is a measurable commercial argument.
The summary also gives benchmarks for the months that follow. Spring sales will be a test, notably for contemporary art, whose strong 2024 rise will need to be confirmed. Professionals are invited to follow the monthly index rather than rely on the annual figure.
Frequently asked questions
Where can I find the printable version?
In the useful documents, in PDF format.
Does the summary include forecasts?
Yes, a range for 2025.
Can these figures be cited?
Yes, with mention of the OIMAP Observatory.
How are volumes calculated?
See the methodology.
Useful documents
Contacts

Going further
Image credits (16)
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- Portrait of Gianfrancesco Gonzaga di Ròdigo, 1443–1496, Lord of Sabbionetta (reverse), Antico (1479) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Vanity Case (Nécessaire) (c. 1760) — Cleveland Museum of Art, CC0 1.0
- Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
- Medal of Claude Joseph Rouget de L'Isle (1760-1836), Alfred Borrel (1911) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Saucer with Scene in style of Watteau (c. 1750–60) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- Noble: Henry VI in Ship with Shield of Arms (obverse); Ornamental Cross with Lis Terminals (reverse) (1422–61) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- The Pyramid of Cestius, Rome, Michiel van Overbeek (c. 1650–80) — Cleveland Museum of Art, CC0 1.0
- Sweet Melancholy, Joseph-Marie Vien (1756) — Cleveland Museum of Art, CC0 1.0
- Portrait of Pope Paul II Barbo (obverse) and (reverse), Cristoforo di Geremia (c. 1468) — Cleveland Museum of Art, CC0 1.0
- The Lock at Pontoise, Camille Pissarro (1872) — Cleveland Museum of Art, CC0 1.0
- The Market Place, Wells, Muirhead Bone (1891–1953) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
2024 annual reportThe OIMAP Observatory's 2024 annual report: €67.8 billion in transactions, growth of 5.8% and a market that is becoming global.›
Full reportThe 184 pages of the 2024 annual report: plan, chapters, contents and reading guide.›
2024 rankingThe ten biggest sales of 2024, work by work: price, segment, auction house and context.›