Pages in this section
Text of the UNESCO Convention 1970The twenty-six articles of the 1970 Convention presented by major themes, with the obligations they create.›
States parties to the UNESCO Convention 1970Which States have ratified the 1970 Convention: global situation, situation of OIMAP Member States and monitoring of ratifications.›
Commentaries on the UNESCO Convention 1970The main doctrinal and practical readings of the 1970 Convention: scope, limits, developments and case law.›
The founding text of the fight against trafficking

Adopted by the UNESCO General Conference on 14 November 1970 and in force since 1972, the Convention is the reference text for the fight against illicit trafficking in cultural property. It has about 140 States parties.
It rests on one idea: each State has the right to protect its heritage, and the others have a duty not to help it lose it. The measures range from inventory to export certificate, from awareness-raising to restitution.
This section presents the text, the States parties and commentaries.
UNESCO Convention 1970 in figures
Source: OIMAP Legal Affairs Department.
The three pages of the section



The three pillars of the Convention
The first pillar is preventive: States compile inventories, create protection services, train their staff and raise public awareness. The second is control: an export certificate accompanies every cultural property that leaves the territory, and the import of property stolen from a museum or a religious or civil institution is prohibited.
The third is restitution: a State party may request the return of cultural property that has been stolen and inventoried, subject to fair compensation for the good-faith acquirer. The costs are borne by the requesting State.
A text without direct effect
The Convention is a treaty between States: it does not, by itself, create direct obligations for private individuals. It is national implementing laws that punish the trafficker and bind the operator.
That is why the 1995 UNIDROIT Convention, which addresses private law and judges, completes it. And that is why the 2019 OIMAP directives set precise obligations for market operators.
What the Convention changes for the market
For an operator, the Convention translates into simple rules: export documents, provenance prior to 1970, caution on archaeological property. Approved auction houses now require these elements for the most sensitive lots.
Museums, for their part, have adopted acquisition policies aligned with the Convention and with the ICOM code of ethics. Many have launched provenance research programmes on their collections.
The main measures
| Area | State's obligation | Article |
|---|---|---|
| Inventories | Draw up a national inventory of protected property | 5 |
| Export certificate | Require a certificate for any departure | 6 |
| Acquisitions | Prevent museums from acquiring illicitly exported property | 7 |
| Sanctions | Provide for criminal or administrative sanctions | 8 |
| Cooperation | Help a State whose heritage is threatened | 9 |
Landmarks
- Adoption
UNESCO General Conference.
- Entry into force
Three months after the third ratification.
- UNIDROIT
Private-law complement.
- OIMAP directives
Obligations for operators.
The 1970 threshold



UNESCO Convention or UNIDROIT Convention

UNESCO 1970
Treaty between States- Obligations of States
- Administrative measures
- Restitution between States
General framework.

UNIDROIT 1995
Private-law rules- Actions before judges
- Time limits for claims
- Compensation of the possessor
Operational complement.
Applying the Convention
- Inventory
List the property.
- Monitor
Issue export certificates.
- Sanction
Punish trafficking.
- Cooperate
Exchange with other States.
- Restitute
Return stolen property.
Operator's reflexes
An archaeologist

« The 1970 Convention changed one decisive thing: an object without a history is no longer a neutral object, it is a suspect object. »
Vocabulary of the Convention
- Cultural property
- Property protected by a State for its historical or artistic interest.
- Export certificate
- Authorisation to take property out.
- Inventory
- Official list of a State's property.
- Fair compensation
- Compensation of the good-faith acquirer.
Frequently asked questions
Does the Convention prohibit selling antiquities?
No, it prohibits trade in property exported or transferred illicitly.
Who is the depositary?
UNESCO.
Where can I read the articles?
On the Full text page.
Which States have ratified it?
See States parties.
Useful documents
Contacts

Read the text
Image credits (23)
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- View of the Château of Pierrefonds, François-Louis Français (c. 1870) — Cleveland Museum of Art, CC0 1.0
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- Landscape with Castle and Shepherds, Achille Etna Michallon (1814) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Karnak, Les Pylônes d'Horus, Henri Béchard (1860s) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
- Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s) — Cleveland Museum of Art, CC0 1.0
- Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia: Volume I - No. 4, Slave Boats on the Nile, View Looking Towards the Pyramids of Dashour and Saccara, Louis Haghe (1838) — Cleveland Museum of Art, CC0 1.0
- Vue générale prise à l'angle sud-ouest, Philoe, Maxime Du Camp (1849–50) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia, Volume I: Pyramids of Geezeh, from the Nile, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Pastoral Landscape with Ruins and a Ford, Gerhardt Janssen (1722) — Cleveland Museum of Art, CC0 1.0
- The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76) — Cleveland Museum of Art, CC0 1.0
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- India. Benares. Aurangzeb's Mosque, after a photo by Dr. Kurt Boeck, Photoglob Co. (c. 1890–1910) — Cleveland Museum of Art, CC0 1.0
- Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, Louis Haghe (1842–49) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


Text of the UNESCO Convention 1970The twenty-six articles of the 1970 Convention presented by major themes, with the obligations they create.›
States parties to the UNESCO Convention 1970Which States have ratified the 1970 Convention: global situation, situation of OIMAP Member States and monitoring of ratifications.›
Commentaries on the UNESCO Convention 1970The main doctrinal and practical readings of the 1970 Convention: scope, limits, developments and case law.›
UNIDROIT Convention 1995The 1995 Rome Convention on stolen or illegally exported cultural objects: restitution before the courts and compensation of the diligent possessor.›