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Regulation

UNESCO Convention 1970

The 1970 Convention on the means of prohibiting and preventing the illicit import, export and transfer of ownership of cultural property.

Updated : October 28, 2026· 3 min read

Pages in this section

The founding text of the fight against trafficking

View of  the Château of Pierrefonds, François-Louis Français (c. 1870)
View of the Château of Pierrefonds, François-Louis Français (c. 1870)

Adopted by the UNESCO General Conference on 14 November 1970 and in force since 1972, the Convention is the reference text for the fight against illicit trafficking in cultural property. It has about 140 States parties.

It rests on one idea: each State has the right to protect its heritage, and the others have a duty not to help it lose it. The measures range from inventory to export certificate, from awareness-raising to restitution.

This section presents the text, the States parties and commentaries.

  • UNESCO
  • Illicit trafficking
  • Restitution

UNESCO Convention 1970 in figures

1970Year of adoption
26Articles
≈140States parties worldwide
61 / 67OIMAP Member States that are parties

Source: OIMAP Legal Affairs Department.

The three pages of the section

Breakdown

Preventive measures32%
Control of import and export28%
Restitution22%
Cooperation and education18%

Thematic breakdown of the provisions.

Karnak, Les Pylônes d'Horus, Henri Béchard (1860s)
Karnak, Les Pylônes d'Horus, Henri Béchard (1860s)
Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846)
Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846)
Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s)
Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s)

The three pillars of the Convention

The first pillar is preventive: States compile inventories, create protection services, train their staff and raise public awareness. The second is control: an export certificate accompanies every cultural property that leaves the territory, and the import of property stolen from a museum or a religious or civil institution is prohibited.

The third is restitution: a State party may request the return of cultural property that has been stolen and inventoried, subject to fair compensation for the good-faith acquirer. The costs are borne by the requesting State.

A text without direct effect

The Convention is a treaty between States: it does not, by itself, create direct obligations for private individuals. It is national implementing laws that punish the trafficker and bind the operator.

That is why the 1995 UNIDROIT Convention, which addresses private law and judges, completes it. And that is why the 2019 OIMAP directives set precise obligations for market operators.

What the Convention changes for the market

For an operator, the Convention translates into simple rules: export documents, provenance prior to 1970, caution on archaeological property. Approved auction houses now require these elements for the most sensitive lots.

Museums, for their part, have adopted acquisition policies aligned with the Convention and with the ICOM code of ethics. Many have launched provenance research programmes on their collections.

The main measures

The Convention's measures
AreaState's obligationArticle
InventoriesDraw up a national inventory of protected property5
Export certificateRequire a certificate for any departure6
AcquisitionsPrevent museums from acquiring illicitly exported property7
SanctionsProvide for criminal or administrative sanctions8
CooperationHelp a State whose heritage is threatened9

Landmarks

  1. Adoption

    UNESCO General Conference.

  2. Entry into force

    Three months after the third ratification.

  3. UNIDROIT

    Private-law complement.

  4. OIMAP directives

    Obligations for operators.

The 1970 threshold

Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810)
Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810)
Egypt and Nubia:  Volume I - No. 4, Slave Boats on the Nile, View Looking Towards the Pyramids of Dashour and Saccara, Louis Haghe (1838)
Egypt and Nubia: Volume I - No. 4, Slave Boats on the Nile, View Looking Towards the Pyramids of Dashour and Saccara, Louis Haghe (1838)
Vue générale prise à l'angle sud-ouest, Philoe, Maxime Du Camp (1849–50)
Vue générale prise à l'angle sud-ouest, Philoe, Maxime Du Camp (1849–50)

UNESCO Convention or UNIDROIT Convention

Egypt and Nubia, Volume I: Pyramids of Geezeh, from the Nile, Louis Haghe (1846)

UNESCO 1970

Treaty between States
  • Obligations of States
  • Administrative measures
  • Restitution between States

General framework.

Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861)

UNIDROIT 1995

Private-law rules
  • Actions before judges
  • Time limits for claims
  • Compensation of the possessor

Operational complement.

Applying the Convention

  1. Inventory

    List the property.

  2. Monitor

    Issue export certificates.

  3. Sanction

    Punish trafficking.

  4. Cooperate

    Exchange with other States.

  5. Restitute

    Return stolen property.

Operator's reflexes

An archaeologist

Pastoral Landscape with Ruins and a Ford, Gerhardt Janssen (1722)
« The 1970 Convention changed one decisive thing: an object without a history is no longer a neutral object, it is a suspect object. »
Dr. Lucía Paredes, archaeologist in Lima

Vocabulary of the Convention

Cultural property
Property protected by a State for its historical or artistic interest.
Export certificate
Authorisation to take property out.
Inventory
Official list of a State's property.
Fair compensation
Compensation of the good-faith acquirer.

Frequently asked questions

Does the Convention prohibit selling antiquities?

No, it prohibits trade in property exported or transferred illicitly.

Who is the depositary?

UNESCO.

Where can I read the articles?

On the Full text page.

Which States have ratified it?

Useful documents

Contacts

The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76)
The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76)
Legal Affairs DepartmentParis — Headquarters+33 1 00 00 02 00juridique@oimap.exampleMonday to Friday, 9 am – 5 pm

Read the text

Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, Louis Haghe (1842–49)

The essential articles with commentary.

Full text
Image credits (23)
  • Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
  • The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
  • The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
  • Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
  • View of the Château of Pierrefonds, François-Louis Français (c. 1870) — Cleveland Museum of Art, CC0 1.0
  • The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
  • Landscape with Castle and Shepherds, Achille Etna Michallon (1814) — Cleveland Museum of Art, CC0 1.0
  • Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
  • Karnak, Les Pylônes d'Horus, Henri Béchard (1860s) — Cleveland Museum of Art, CC0 1.0
  • Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
  • Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s) — Cleveland Museum of Art, CC0 1.0
  • Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
  • Egypt and Nubia: Volume I - No. 4, Slave Boats on the Nile, View Looking Towards the Pyramids of Dashour and Saccara, Louis Haghe (1838) — Cleveland Museum of Art, CC0 1.0
  • Vue générale prise à l'angle sud-ouest, Philoe, Maxime Du Camp (1849–50) — Cleveland Museum of Art, CC0 1.0
  • Egypt and Nubia, Volume I: Pyramids of Geezeh, from the Nile, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
  • Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
  • Pastoral Landscape with Ruins and a Ford, Gerhardt Janssen (1722) — Cleveland Museum of Art, CC0 1.0
  • The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76) — Cleveland Museum of Art, CC0 1.0
  • Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
  • India. Benares. Aurangzeb's Mosque, after a photo by Dr. Kurt Boeck, Photoglob Co. (c. 1890–1910) — Cleveland Museum of Art, CC0 1.0
  • Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s) — Cleveland Museum of Art, CC0 1.0
  • The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
  • Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, Louis Haghe (1842–49) — Cleveland Museum of Art, CC0 1.0
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