Insure what you can prove

A work insured at the right value, with a documented condition, is compensated without argument in the event of a claim. The conservation report is the central piece of this arrangement.
OIMAP does not set the value of a work. It attests to its condition and identity; value is determined by a valuation expert. The report gives the insurer the elements needed to contract and compensate with confidence.
This page describes how to use the report to prepare an insurance policy, a loan or a claim settlement.
Insurance in figures
Building an insurance file
- Identify the work
Certificate of authenticity, OIMAP number, photographs.
- Document the condition
Up-to-date conservation report (under 5 years old).
- Have it valued
Valuation by an independent expert, dated and signed.
- Declare to the insurer
Submission of the file and choice of insurance mode.
- Update
Review of value and condition at regular intervals.
Common insurance modes
| Mode | Principle | When to choose it |
|---|---|---|
| Agreed value | Value fixed in advance between insured and insurer | High-value works |
| Replacement value | Cost of acquiring an equivalent work | Ordinary works |
| Declared value | Value stated by the insured | Small collections |
| Door to door | Cover throughout transport | Loans and exhibitions |



A report that protects
Before and after a claim

Before the claim
Up-to-date report- Documented condition
- Reference photographs
- Justified agreed value
Fast, dispute-free compensation.

Without a report
No reference condition- Disputed condition
- Value hard to prove
- Longer settlement times
Risk of under-compensation.
Timeline for insuring a work
- Acquisition
Registration and certificate.
- Report
Initial condition survey.
- Valuation
Agreed value with the insurer.
- Update
New follow-up report.
- Event
Loan, transport, claim: supplementary report.
Case study: water damage
Compensation without dispute
A claim damages a painting displayed in a gallery.
- The insured declares the claim within 30 days.
- A follow-up report compares the condition before and after.
- The insurer adopts the restoration cost from the report.
Compensation within six weeks, without adversarial expert examination.
Obligations of the insured



A professional's tip

« A report costs a few hundred euros. An insurance dispute, months. »
Vocabulary of insurance
- Agreed value
- Value fixed by mutual agreement and enforceable in the event of a claim.
- Door to door
- Door-to-door transport cover.
- Claim
- Event that causes damage to the work.
- Excess
- Share of the damage remaining payable by the insured.
Frequently asked questions
Does OIMAP value the work?
No. Valuation is a matter for an independent valuation expert.
Does my insurer require the OIMAP report?
Many insurers accept it as a reference document; check with yours.
Does the report cover works on deposit?
Yes, if the work is registered.
Is the report valid abroad?
Yes, in the 67 Member States.
Useful documents
Contacts

Request a conservation report
Image credits (16)
- Portrait of Pope Paul II Barbo (obverse) and (reverse), Cristoforo di Geremia (c. 1468) — Cleveland Museum of Art, CC0 1.0
- Fragment of a belt (hizam) (1800s) — Cleveland Museum of Art, CC0 1.0
- Solidus of Justinian I (reverse) (545–565) — Cleveland Museum of Art, CC0 1.0
- Compass and Sun Dial (1700–1750) — Cleveland Museum of Art, CC0 1.0
- American Red Cross War Council Medal (reverse), Daniel Chester French (1920) — Cleveland Museum of Art, CC0 1.0
- Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin (c. 1625–27) — Cleveland Museum of Art, CC0 1.0
- Solidus with Busts of Constans II and Constantine IV (obverse) (659–661) — Cleveland Museum of Art, CC0 1.0
- The Shepherd, Paulus Potter (1644) — Cleveland Museum of Art, CC0 1.0
- Stater: BODVOC on plain field (obverse); Horse, Wheel, and Crescent (reverse) (10 BCE–20 CE) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Midas, Nicolaes Clock (1589) — Cleveland Museum of Art, CC0 1.0
- Guinea: Anne (obverse); Shields and rose (reverse) (1703) — Cleveland Museum of Art, CC0 1.0
- Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and Piazza San Marco with Doges' Palace, Francesco Guardi (1773–1778(?)) — Cleveland Museum of Art, CC0 1.0
- Study of Hands (recto); Sketch of a Hand (verso), Pierre Lenfant (1700s) — Cleveland Museum of Art, CC0 1.0
- Fish or Seal Club (X’ús’) (late 1800s–early 1900s) — Cleveland Museum of Art, CC0 1.0
- Vanity Case (Nécessaire) (c. 1760) — Cleveland Museum of Art, CC0 1.0
- Marie-Yolande de Fitz-James, Henri Fantin-Latour (1867) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
ExaminationHow the condition of a work is observed, measured and recorded during a conservation examination.›
Certificates of authenticityThe OIMAP certificate of authenticity establishes, through independent expertise and scientific analysis, that the work is indeed the one claimed.›
Sales approvalThe compliance check carried out before a public or private sale: due diligence, BIOP, provenance and authenticity verified before the hammer falls.›