Submitting your request

A museum, a State, a community, a family or a rights holder may ask OIMAP for help in obtaining the restitution of property. The request is made on the Desk, in a structured file that allows a swift investigation.
The procedure is free. Only possible appraisal and transport costs are to be shared between the parties according to the agreement. The restitutions unit acknowledges receipt within five days and decides on admissibility within thirty days.
This page explains the conditions, the documents to supply and the process.
Requesting a restitution in figures
Source: OIMAP Heritage Protection Department.
Who can apply
Those who may request a restitution are the owners of the work (persons or institutions), their rights holders, States or public authorities when the property belongs to the public domain or national heritage, and communities whose tradition establishes the link with the object.
The request must concern an identified or identifiable work, and rely on a precise fact: theft, looting, spoliation, illicit export. The unit refers applicants whose situation falls under another procedure.



Documents to supply
The file comprises a description of the work with photographs, proof of ownership or the link with the applicant, an account of the circumstances of the disappearance, existing reports and records, the identity and supposed location of the holder, and an indication of the solution sought.
It is not necessary to gather everything on filing: the file can be supplemented during the investigation. But the more complete it is, the faster the admissibility decision. The unit helps to look for missing documents, notably in archives.
What one can expect
The unit can propose mediation between the applicant and the holder, organise an independent appraisal, facilitate exchanges with the authorities, or refer to the Arbitral Tribunal. It imposes no solution: the agreement belongs to the parties.
The applicant remains free to go to the national courts at any time, and the OIMAP procedure does not interrupt limitation periods. It is therefore prudent to consult a lawyer from the start.
Specific support
For communities without legal resources, OIMAP provides enhanced support: help with drafting, use of volunteer experts, funding of part of the costs. These schemes are backed by the Protection Fund.
For States, the unit works with embassies and culture ministries so that the request fits with any diplomatic steps. Close coordination avoids contradictory messages.
Request file
| Document | Purpose | Priority |
|---|---|---|
| Description and photographs | Identify the work | Mandatory |
| Proof of ownership | Establish the right | Mandatory |
| Circumstances of the disappearance | Characterise the fact | Mandatory |
| Police reports | Support the request | Recommended |
| Identity of the holder | Contact | Useful |
Landmarks
- Filing
Online file.
- Acknowledgement of receipt
Case handler designated.
- Admissibility
Reasoned decision.
- Investigation
Experts, documents.
- Negotiation
Meetings.
Limitation periods keep running



Request by a private individual or by an institution

Private individual
Family, rights holder- Needs support
- Proof of family link
- Support from the unit
Enhanced help.

Institution
Museum, State- More structured file
- Diplomatic relay possible
- Faster procedure
Institutional support.
Submitting a request
- Prepare
Gather the documents.
- Create
Open an account on the Desk.
- Complete
Fill in the form.
- Send
Submit the file.
- Follow up
Answer the unit.
Before filing
A rights holder

« Without the unit's help we could never have traced the painting. It guided us through the archives and to the holder. »
Vocabulary of the request
- Applicant
- Person who requests a restitution.
- Limitation period
- Time after which an action is no longer possible.
- Admissibility
- Conformity of a request with the rules.
- Holder
- Person who currently possesses the property.
Frequently asked questions
What is the average duration?
Fourteen months.
Is a lawyer needed?
Not necessarily, but it is advisable.
Is the request confidential?
Yes.
Where do I open a case?
On the Desk, Restitutions section.
Useful documents
Contacts

See the ongoing cases
Image credits (16)
- Male Figure (late 1800s-early 1900s) — Cleveland Museum of Art, CC0 1.0
- Figurine (300–100 BCE) — Cleveland Museum of Art, CC0 1.0
- Mother and Child Figure (late 1800s–early 1900s) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- Male Figure (late 1800s-early 1900s) — Cleveland Museum of Art, CC0 1.0
- Panel (c. 1780–1840) — Cleveland Museum of Art, CC0 1.0
- Beaded Hat or Headpiece (early 1900s(?)) — Cleveland Museum of Art, CC0 1.0
- Double-Sided Votive Relief (305–30 BCE) — Cleveland Museum of Art, CC0 1.0
- Coronet (oríkògbófo) (1900s) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Necklace (ashän ketab) with amulet pendants (tälsäm) and bead (late 1800s or early 1900s) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Black-Figure Neck-Amphora of Panathenaic Shape (Storage Vessel) (525–500 BCE) — Cleveland Museum of Art, CC0 1.0
- Figure (iginga) (probably 1800s) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro (1879) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
RestitutionsReturning works to their lawful owners: 847 restitutions since 2007, ongoing cases and procedure for requesting a restitution.›
Ongoing restitution casesThe 126 cases under investigation: nature, progress, time limits, steps and follow-up arrangements for the parties.›
UNIDROIT Convention 1995The 1995 Rome Convention on stolen or illegally exported cultural objects: restitution before the courts and compensation of the diligent possessor.›