Pages in this section
Crypto-assets and buying worksPaying for a work in crypto-assets: vigilance rules, identification, taxation and risks for the buyer and seller.›
NFTs and worksNon-fungible tokens and works of art: rights transferred, link with the physical work, copyright, certification and disputes.›
Online platformsThe approval regime for online art sales platforms: conditions, obligations, supervision and liability.›
A market without borders, rules for all

The digital art market covers works born digital, tokens backed by physical works and the platforms that trade them. It is growing fast, and its regulation, adopted in 2022, is trying to keep up.
This section details the rules applicable to three objects: crypto-assets, NFTs and works and online platforms.
It complements the digital market overview page in the Market section, which describes its figures and uses.
Digital market regulation in figures
Source: OIMAP Legal Affairs Department.
The three pages of the section



Three objects, three regimes
Crypto-assets are digital representations of value used as a means of payment or investment. Their use to buy works is governed by anti-money laundering rules and by national taxation.
NFTs are non-fungible tokens that can represent an original digital work or be backed by a physical work. Platforms, finally, are the operators that host and trade these objects: they are subject to an approval regime.
A proportionate regime
OIMAP chose not to create a special law for each technology, but to extend to digital objects the principles of general regulation: diligence, transparency, protection of buyers. The specific rules cover only what is really different: identification of sellers, the link between token and work, platform security.
This approach has the advantage of remaining valid as technologies evolve. It does, however, leave a considerable share to interpretation, which consultations and case law help to stabilise.
An evolving regulation
The digital regime is subject to a review clause every three years. The first review, planned for 2025, will cover fractionalised tokens, works generated by artificial intelligence and sales of rights over physical works.
Each change is preceded by a public consultation. Operators, artists, platforms and States are invited to contribute, so that the regime remains adapted to the reality of practice.
Overview of the regime
| Purpose | Main regime | Key obligation |
|---|---|---|
| Crypto-asset used as a means of payment | Anti-money laundering, taxation | Identification above €1,000 |
| NFT of a digital work | Copyright, buyer protection | Information on the rights transferred |
| NFT backed by a physical work | OIMAP certification | Verifiable link to the certificate |
| Platform | Approval | Identification, mediation, security |
Landmarks
- First art tokens
Unregulated practices.
- Speculative peak
First disputes.
- OIMAP regime
Approval of platforms.
- First review
Public consultation.
A token is not a title



General or special regulation

General
Principles common to all objects- Diligence, transparency, good faith
- Stable over time
- Applicable to all
Basis of the regime.

Special
Rules specific to the digital world- Identification of online sellers
- Token–work link
- Platform security
Targeted supplements.
Complying with the digital regime
- Qualify
Identify the object and its regime.
- Identify
Verify the sellers and buyers.
- Inform
Specify the rights transferred.
- Keep
Archive for ten years.
- Report
Raise the alarm in case of suspicion.
Reflexes
A digital law specialist

« Digital law is not a separate law: it is ordinary law applied to objects that move fast. »
Vocabulary of the digital world
- Crypto-asset
- Digital representation of value.
- NFT
- Non-fungible token.
- Approved platform
- Platform authorised by OIMAP.
- Backed token
- Token linked to a physical work.
Frequently asked questions
Are NFTs legal?
Yes, subject to the applicable rules.
Must I declare my token sales?
Yes, if you are an operator: see Reporting obligations.
Where can I see digital market figures?
In the Digital market and NFTs section.
What about taxation?
See Tax and customs law.
Useful documents
Contacts

Read about crypto-assets
Image credits (23)
- Courtyard, Alhambra, Charles Clifford (1857–58) — Cleveland Museum of Art, CC0 1.0
- Jar with Design in Underglaze Iron (1800s–1900s) — Cleveland Museum of Art, CC0 1.0
- Prayer Niche (Mihrab) (c. 1500s or mid-1900s) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles and Linked Arcs (late 300s BCE–50 CE) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- Water Transport Jar (1900s) — Cleveland Museum of Art, CC0 1.0
- Fragment of a Border with Standing and Seated Birds Amidst Vegetation (1500s) — Cleveland Museum of Art, CC0 1.0
- Vessel with Abstract Heads (100 BCE–700 CE) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Mirror with Concentric Circles (late 300s BCE–50 CE) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) (c. 1524) — Cleveland Museum of Art, CC0 1.0
- Silk fragment with scrolling vines, grape leaves, grapes, and birds (1325–50) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), Henri d'Orquevaulx (c. 1420–30) — Cleveland Museum of Art, CC0 1.0
- Lampas with foliate medallions in ogival lattice (1400s) — Cleveland Museum of Art, CC0 1.0
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- Historiated Initial (O) Excised from an Antiphonary: The Donor, Gorus Fucci, Kneels before Christ (c. 1300–1350) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Jar with Stamped Decoration (1400s) — Cleveland Museum of Art, CC0 1.0
- Arion on a Sea Horse and Bacchante on a Panther (pair), William Adolphe Bouguereau (1855) — Cleveland Museum of Art, CC0 1.0
- Medal: In Commemoration of the Fiftieth Anniversary - The Warner and Swasey Company, Victor D. Brenner (1930) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Naval Officer, Lai Fong (1870s) — Cleveland Museum of Art, CC0 1.0
- Telescoping basket (1800's) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


Crypto-assets and buying worksPaying for a work in crypto-assets: vigilance rules, identification, taxation and risks for the buyer and seller.›
NFTs and worksNon-fungible tokens and works of art: rights transferred, link with the physical work, copyright, certification and disputes.›
Online platformsThe approval regime for online art sales platforms: conditions, obligations, supervision and liability.›
Digital market and NFTsThe market for digital works and backed tokens: regulation, blockchain certification and approved platforms.›