Pages in this section
Forum programmePlenaries, practical workshops and presentations spread over two days: the schedule of the Forum on the digital market.›
Forum speakersSixty speakers from administrations, platforms, universities and auction houses: who speaks, and how they are chosen.›
Forum replayWatch the Forum sessions again free of charge for twelve months: access, formats, subtitles, materials and reuse.›
The online art market under debate

Each year, OIMAP brings together for two days the players in online art sales: platforms, auction houses, galleries, authorities, researchers and lawyers. The Forum gathers around 1,200 participants and 60 speakers around a theme that changes every year.
The debates cover traceability, authentication, payments, digital tokens linked to artworks, consumer protection and the fight against forgeries.
This section presents the programme, the speakers and the replay.
Forum on the digital market in figures
Source: Events and Communications Directorate.
Three pages



Why a forum dedicated to the digital market
The share of sales made online has risen sharply, and with it the risks: falsified works, uncertain provenance, misleading listings, payment fraud. The Forum offers a neutral place where platforms and authorities can talk and build common practices.
It feeds directly into OIMAP's work, notably the recommendations on online sales adopted by the General Assembly.
The Forum's audience
The Forum is aimed at market professionals, customs and administration officials, lawyers, curators, researchers and specialist journalists. Public officials attend free of charge; other participants pay fees of between €90 and €350 depending on the package.
Places are reserved for students and young professionals, by application, thanks to a scholarship fund.
A two-day format
The first day alternates plenary lectures and case studies. The second is more practical: workshops in small groups, presentations of authentication tools, meetings between platforms and administrations. An evening reception closes the first day.
The working languages are French, English and Spanish, with simultaneous interpretation in plenary sessions. The Forum is held in person, with the plenaries streamed online.
Recurring themes
Four themes recur from one edition to the next: authentication of works sold remotely, traceability of transactions, buyer protection and cooperation between platforms and authorities. Each edition adds a current topic, chosen by the programme committee.
The Forum's work is linked to the Desk's services, in particular digital certification and the reporting of theft or loss.
Registration packages
| Package | Audience | Price (indicative) |
|---|---|---|
| Public official | Administrations, customs | Free |
| Student or researcher | On proof of status | €90 |
| Professional | Two days | €250 |
| Partner company | Two days and evening reception | €350 |
Milestones
- First edition
One day, 300 participants (indicative).
- Two days
Practical workshops.
- Hybrid format
Online streaming.
- 12-month replay
Free access.



Registration
In person or online

In person
On site- Workshops and presentations
- Face-to-face meetings
- Evening reception
For networking and practice.

Online
Live plenaries- No travel needed
- Free replay
- No workshops
To follow the essentials.
Taking part in the Forum
- Choose
The right package.
- Register
Online form.
- Compose
Your workshop pathway.
- Take part
Two days of work.
- Watch again
The sessions on replay.
Before the Forum
A platform manager

« The Forum allowed me to meet customs officers who see the consequences of our listings. We then changed our verification rules. »
Vocabulary of the Forum
- Platform
- Online sales site.
- Traceability
- Tracking the history of a work.
- Replay
- Recording of a session.
- Workshop
- Hands-on session in a small group.
The programme committee
The programme is set by a committee of about a dozen people, made up of State representatives, academics, professionals and Organization staff. A call for proposals is opened each year for talks and workshops.
The committee ensures balance between regions, sectors and points of view, and publishes the selection criteria it applies.
Frequently asked questions
Is the Forum fee-paying?
Free for public officials, €90 to €350 otherwise.
Is there a replay?
Yes, free for 12 months.
Which languages?
French, English, Spanish.
Where can I see the programme?
See Programme.
Useful documents
Contacts

See the programme
Image credits (23)
- Side Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- Boy with Anchor, Winslow Homer (1873) — Cleveland Museum of Art, CC0 1.0
- Twilight in the Wilderness, Frederic Edwin Church (1860) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- Interior Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Su (c. 1820–30) — Cleveland Museum of Art, CC0 1.0
- St. Anthony Reading, Albrecht Dürer (1519) — Cleveland Museum of Art, CC0 1.0
- Towel End (c 1700s- 1800s) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson (1872) — Cleveland Museum of Art, CC0 1.0
- Woman Sitting Reading , Georges Lemmen (1905) — Cleveland Museum of Art, CC0 1.0
- Cabinet Plate, W. T. Copeland & Sons (1883) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- Bowl with Chrysanthemums, Seifū Yohei IV (1914–46) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Corner Cabinet, René Dubois (c. 1765–1770) — Cleveland Museum of Art, CC0 1.0
- High Class Students and Teachers at Bishop Cotton School, Shimla (verso), Raja Deen Dayal (c. 1882–87) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- A Lady Reading, Francis Seymour Haden (1833–1910) — Cleveland Museum of Art, CC0 1.0
- Bookplate: Boylston Medical Library, George Girdler Smith (1806–39) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


ActivitiesEvents, conferences, publications, media, prizes, exhibitions and the sales calendar: the public life of OIMAP throughout the year.›
Forum programmePlenaries, practical workshops and presentations spread over two days: the schedule of the Forum on the digital market.›
Forum speakersSixty speakers from administrations, platforms, universities and auction houses: who speaks, and how they are chosen.›
Forum replayWatch the Forum sessions again free of charge for twelve months: access, formats, subtitles, materials and reuse.›