An international framework for creators' rights

The World Intellectual Property Organization, a specialised agency of the United Nations, administers the main international treaties on copyright and related rights. Its rules form the common basis on which national laws rest.
OIMAP cooperates with WIPO on several subjects: training, mediation, the fight against counterfeiting, digital matters. This cooperation was formalised by an agreement signed in 2020.
This page presents the treaties that matter for the art market, the WIPO services useful to operators and the areas of cooperation.
WIPO and international treaties in figures
Source: OIMAP Legal Affairs Department.
The treaties that matter
The Berne Convention (1886) is the founding text: it establishes automatic protection of works in all States parties and a minimum of rights. The 1996 WIPO treaties on copyright and on performances adapt these rules to the digital environment.
The Marrakesh Treaty (2013) and the Beijing Treaty (2012) concern neighbouring fields. For the art market, the Berne Convention and the 1996 treaty are the most important, because they underpin the protection of images of works online.



Services useful to operators
WIPO offers a mediation and arbitration centre specialising in intellectual property disputes. It handles disputes between artists, galleries, auction houses and publishers. OIMAP refers certain cases to it when the dispute mainly concerns copyright.
WIPO also provides databases of legislation, model contracts and training resources, which OIMAP integrates into its own modules for market operators.
A cooperation to deepen
The 2020 agreement between OIMAP and WIPO has produced concrete results: a joint training module for market operators, a guide to reproduction licences in sale catalogues, and a procedure for referring disputes between the Arbitral Tribunal and the mediation centre.
New projects are envisaged, notably on works generated by artificial intelligence, the protection of artists' archives and the fight against online counterfeits. They will be the subject of public consultations.
The treaties and their usefulness
| Treaty | Date | Usefulness for the art market |
|---|---|---|
| Berne Convention | 1886 | Automatic, minimum protection of works |
| WIPO Copyright Treaty | 1996 | Copyright in the digital environment |
| TRIPS Agreement | 1994 | Minimum standards linked to trade |
| Marrakesh Treaty | 2013 | Access to works for persons unable to read |
Landmarks
- Berne Convention
Foundation.
- Creation of WIPO
International organisation.
- Digital treaties
Adaptation to the Internet.
- Agreement with OIMAP
Strengthened cooperation.
Which forum to choose
WIPO mediation or OIMAP arbitration

WIPO
Intellectual property disputes- Specialists in the field
- International procedure
- Neutral
For copyright.

OIMAP Arbitral Tribunal
Disputes relating to works- Art market specialists
- Authenticity, provenance, ownership
- Recognition in Member States
For works.



Seizing the mediation centre
- Qualify
Identify the nature of the dispute.
- Agree
Obtain the parties' consent.
- Submit
Complete the request.
- Mediate
Attend the sessions.
- Conclude
Sign the agreement.
Resources
An international civil servant

« Copyright is one of the few areas where an artist can count on a minimum of protection in almost every country in the world. »
Vocabulary of WIPO
- Berne Convention
- Treaty on the protection of literary and artistic works.
- TRIPS
- Agreement on trade-related aspects of intellectual property.
- Mediation
- Amicable settlement of a dispute.
- National treatment
- Same protection as that given to nationals.
Frequently asked questions
Does WIPO intervene in authenticity disputes?
No, they fall to the OIMAP Arbitral Tribunal: see Arbitration.
Do the treaties apply directly?
They must be implemented by national laws.
What is OIMAP's role?
It relays good practice and trains operators.
Where can I see the other texts?
In the Legal library.
Useful documents
Contacts

Move on to consumer protection
Image credits (16)
- Presentation Bowl (1900) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Curtain (1600s–1700s) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Naval Officer, Lai Fong (1870s) — Cleveland Museum of Art, CC0 1.0
- Study of Hands (recto); Sketch of a Hand (verso), Pierre Lenfant (1700s) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- Portrait of Jean-Baptiste Lemoyne the Younger, Elisabeth Louise Vigée-LeBrun (1774) — Cleveland Museum of Art, CC0 1.0
- Fortified Peak, Near the Tank, Ulwur, Louis-Théophile Marie Rousselet (1865–68, published 1869–70) — Cleveland Museum of Art, CC0 1.0
- Covered Hot Water Pot, Feodor Ivanovich Rückert (1887–96) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Centerpiece, Eugène Rousseau (c. 1880) — Cleveland Museum of Art, CC0 1.0
- Eighteen Views of Rome: The Piazza Farnese (recto), Lievin Cruyl (1664) — Cleveland Museum of Art, CC0 1.0
- Head of Proserpina, Gian Lorenzo Bernini (1650–1700) — Cleveland Museum of Art, CC0 1.0
- The Shepherd, Paulus Potter (1644) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- Kenilworth Castle, Warwickshire, England, Adolphe Braun (c. 1870s) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Intellectual propertyCopyright, resale right, role of WIPO: the rights of artists and their rights holders in the art market.›
Copyright and works of artEconomic rights and moral right of the artist, term of protection, exceptions, assignment contracts and reproduction of works in the art market.›
ArbitrationThe OIMAP Arbitral Tribunal (TAO) settles art and heritage disputes: authenticity, provenance, restitution and contracts, through arbitration or mediation.›