Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Protection

Underwater heritage

Wrecks, sunken cities, submerged objects: protecting cultural heritage underwater and regulating excavations, looting and trade.

Updated : October 28, 2026· 4 min read

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The last great territory of heritage

Arrival of the "Southern Barbarians" (c. 1600)
Arrival of the "Southern Barbarians" (c. 1600)

Seas, lakes and rivers hold hundreds of thousands of sites: shipwrecks, sunken ports, flooded villages, objects thrown or lost. The number of wrecks in the world is estimated at more than three million. Most have never been excavated.

This heritage is fragile and increasingly accessible: diving and detection techniques allow looters to reach sites that were previously preserved. Trade in objects from wrecks then enters the art market.

The section presents wrecks, excavations and regulation.

  • Underwater
  • Wrecks
  • UNESCO

Underwater heritage in figures

3M+Wrecks in the world (estimate)
≈70States parties to the 2001 UNESCO Convention
38BIOP alerts linked to wrecks
12Projects supported since 2018

Source: OIMAP Heritage Protection Department.

Breakdown

Shipwrecks52%
Sunken sites20%
Isolated objects18%
Cities and ports10%

Types of sites concerned (indicative).

Why protect it

A wreck is a time capsule: a sunken ship carries with it its cargo, its everyday objects, its navigation instruments and, often, its secrets. Underwater conditions sometimes preserve organic materials remarkably well, such as wood or textile, which disappear on land.

If the site is damaged by looting or a poorly conducted excavation, this information is lost for ever. That is why archaeologists consider that underwater heritage should, as a priority, stay in place, with as little intervention as possible.

River Landscape with Boats, Annibale Carracci (c. 1590)
River Landscape with Boats, Annibale Carracci (c. 1590)
Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s)
Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s)
Enjoying the Evening Cool Along the Sumida River, Kitagawa Utamaro (c. 1797–98)
Enjoying the Evening Cool Along the Sumida River, Kitagawa Utamaro (c. 1797–98)

The applicable law

The 2001 UNESCO Convention on the Protection of the Underwater Cultural Heritage lays down four principles: the obligation to preserve, the preference for in situ conservation, the prohibition of commercial exploitation and cooperation between States. About seventy States have ratified it.

The law of the sea, the sovereignty of the flag State, the rights of the coastal State and the rules of maritime salvage come on top, with tensions at times. OIMAP helps its members to fit these texts together.

The market in wreck objects

Objects from wrecks regularly appear on the market: ceramics, coins, instruments, cannon, tableware. Their origin is often hard to establish, because looters document nothing. The 2001 Convention prohibits their commercialisation, but some States do not recognise it.

OIMAP asks operators for particular vigilance: demand proof of the date and place of discovery, check the excavation permit and refuse objects from protected sites. The BIOP database lists known looting.

A heritage for all

Underwater heritage belongs to humanity. Underwater museums, supervised dive trails and digital exhibitions let the public discover it without destroying it. These initiatives also create jobs and income for coastal communities.

OIMAP supports these projects and encourages States to involve divers, fishers and residents in monitoring: they are often the first to discover or report looting.

Landmarks

  1. Law of the sea

    General framework.

  2. UNESCO Convention

    Adoption.

  3. Entry into force

    Twenty ratifications.

  4. OIMAP programme

    Support to States.

  5. 12 projects

    Excavations and training.

Leave in place

Alpine Landscape:  The Handegg, Switzerland, Jean-Léon Gérôme (1850s)
Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme (1850s)
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)
Ferry Slip, Edwin Kaufman (1927)
Ferry Slip, Edwin Kaufman (1927)

Preservation or exploitation

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)

Preservation

Conserve in place
  • Protects the context
  • Moderate cost
  • Access through supervised visits

Principle of the Convention.

Landscape with Winding Road, Thomas Doughty (1833)

Commercial exploitation

Sell the objects
  • Quick gains
  • Destroys information
  • Prohibited by the Convention

To be refused.

Acting for a site

  1. Report

    Declare the discovery.

  2. Protect

    Delimit a zone.

  3. Assess

    Carry out an appraisal.

  4. Decide

    Conserve or excavate.

  5. Showcase

    Inform the public.

An operator's reflexes

An underwater archaeologist

Bridge of Shops, Srinagar, Kashmir, Samuel Bourne (1864)
« A wreck that is looted is a library that is burned. All the knowledge it contained disappears with the objects. »
Dr. Théodore Marceau, underwater archaeologist

Underwater vocabulary

In situ
In place, without moving.
Wreck
Remains of a sunken ship.
Flag
Nationality of a ship.
Maritime salvage
Assistance to a ship or its property.

Frequently asked questions

Who owns a wreck?

It depends on the applicable law: flag State, coastal State, shipowner.

Can one dive on a wreck?

Often, but with restrictions.

What to do with an object found?

Declare it to the authorities.

Where can I see the regulation?

Useful documents

Contacts

Small Mosque in the Kaiserbagh, Felice A. Beato (1858)
Small Mosque in the Kaiserbagh, Felice A. Beato (1858)
Heritage Protection DepartmentParis — Headquarters+33 1 00 00 03 00protection@oimap.exampleMonday to Friday, 9 am – 5 pm

See the wrecks

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748)

Types and stakes.

Wrecks
Image credits (19)
  • Seven Jeweled Mountain (late 1800s) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • A Rocky Cove with Fishing Boats, Allart van Everdingen (late 1650s) — Cleveland Museum of Art, CC0 1.0
  • Arrival of the "Southern Barbarians" (c. 1600) — Cleveland Museum of Art, CC0 1.0
  • River Landscape with Boats, Annibale Carracci (c. 1590) — Cleveland Museum of Art, CC0 1.0
  • Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s) — Cleveland Museum of Art, CC0 1.0
  • Enjoying the Evening Cool Along the Sumida River, Kitagawa Utamaro (c. 1797–98) — Cleveland Museum of Art, CC0 1.0
  • Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme (1850s) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • Ferry Slip, Edwin Kaufman (1927) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • Landscape with Winding Road, Thomas Doughty (1833) — Cleveland Museum of Art, CC0 1.0
  • Bridge of Shops, Srinagar, Kashmir, Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
  • Small Mosque in the Kaiserbagh, Felice A. Beato (1858) — Cleveland Museum of Art, CC0 1.0
  • A Boat That Has for Sails the Wings of a Huge Bird, Filippo Morghen (about 1769) — Cleveland Museum of Art, CC0 1.0
  • Fishing Boats along the Beach, Eugène Isabey (c. 1830) — Cleveland Museum of Art, CC0 1.0
  • Landscape with the Town on a River and the Cottage between Trees, Hanns Lautensack (1551) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
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