A library of awards

The decision database brings together the anonymised awards published by the TAO since 2013. Each entry includes a summary, keywords, the applicable articles of the Rules and, where the parties have authorised it, the full text.
It is free and accessible without an account. Decisions can be downloaded as PDFs and reused, provided the source is credited.
This page explains the structure of the entries, the coverage of the database and the access rules.
Decision database in figures
Source: Registry of the OIMAP Arbitral Tribunal.
Structure of an entry
Each entry carries a reference number (for example TAO-2023-A-014), the date, the chamber, the language, the themes, the articles of the Rules and a ten-line summary. The facts are described in neutral form; the questions of law decided are distinguished from the outcome.
A box indicates whether the award was the subject of an action for annulment and its outcome. Decisions of rectification or interpretation are linked to the main award.



Themes and classification
Decisions are classified in a tree of four main branches (authenticity, provenance, restitution, contracts), themselves divided into thirty sub-themes: authenticity warranty, adversarial appraisal, latent defects, title, good faith of the buyer, limitation, restitution of cultural property, and so on.
A single decision may appear under several themes. A chronological index and an index by articles of the Rules make consultation easier.
Access and reuse
Consultation is free and open. Decisions are published under an open licence, with an obligation to cite the source. Attempting to re-identify the parties is prohibited: users undertake to respect anonymity.
Researchers may request bulk access to the data (JSON format) for analysis work. An agreement sets out the conditions of use.
Editorial quality
Each published decision is proofread by the editorial committee, which checks the anonymisation, the consistency of the summary and the list of keywords. Errors reported by users are corrected within fifteen days.
Decisions that have been set aside in full are kept but clearly flagged, to prevent them being invoked as valid examples.
Content of an entry
| Field | Example | Usefulness |
|---|---|---|
| Reference | TAO-2023-A-014 | Cite the decision |
| Chamber | Authenticity | Classify |
| Articles | 6, 36, 38 | Link with the Rules |
| Summary | Ten lines | Understand quickly |
Milestones
- Going online
Forty decisions.
- Trilingual summaries
Translations.
- Full text
Access option.
- 412 decisions
Search engine.
Respect anonymity



Summary or full text

Summary
Ten lines- Quick reading
- Overview of the outcome
- Not the nuances
To get one's bearings.

Full text
Complete award- Detailed reasoning
- Quotations possible
- Longer reading
To argue.
Using the database
- Search
Theme or word.
- Read
Summary.
- Open
Text.
- Export
PDF.
- Cite
Reference.
Good practices
A lawyer

« I always start my authenticity cases with a search in the database. It stops me defending a thesis that the arbitrators have already rejected. »
Vocabulary of the database
- Reference
- Identification number of a decision.
- Partial award
- Award on part of the dispute.
- Annulment
- Setting aside of an award by a judge.
- Summary
- Synopsis of a decision.
Frequently asked questions
Are names visible?
No.
May I download everything?
For researchers, under agreement.
Are there recent decisions?
Yes, within 6 months.
Where can I search?
See Search.
Useful documents
Contacts

Search for a decision
Image credits (16)
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- Sketch of the Labyrinth of the Villa Pisani, Francesco Guardi (1773–1778(?)) — Cleveland Museum of Art, CC0 1.0
- Letter Box, Ogata Kōrin (1700s) — Cleveland Museum of Art, CC0 1.0
- Seal with Two Qilin Playing (1849) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
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