Voices from every background

The Forum welcomes around sixty speakers each year. They come from administrations, sales platforms, auction houses, universities, international organizations and law firms. No sector dominates: the programme committee ensures balance.
The detailed list for the current edition accompanies the programme; past talks can be found in the replay.
Forum speakers in figures
Source: Events and Communications Directorate.
How speakers are chosen
A call for proposals is published about six months before the Forum. Applications are reviewed by the programme committee against four criteria: relevance of the subject, quality of expertise, practical value and diversity of viewpoints. About a third of the talks come from this call.
The others are requested directly by the committee, to cover the chosen themes. No fee is paid; travel costs are covered for some speakers from middle-income countries.



Speaker profiles
They include platform directors, specialised prosecutors, art history researchers, IT security specialists, curators and accredited experts. Some speak on behalf of an institution, others in a personal capacity.
Each speaker provides a short biography, a photograph and the list of their declared interests, published with the programme.
Ethics and conflicts of interest
Speakers undertake to respect a charter: no commercial promotion, disclosure of interests, respect for confidentiality rules. Presentations are reviewed by the Secretariat to check that they contain no advertising.
A financial partner of the Forum does not choose the speakers. Companies that support the event are mentioned, but play no part in the selection.
Preparing your talk
Speakers receive a guide, a preparation timetable and a briefing interview with the moderator. A technical test is held the day before. Presentations are submitted one week before the Forum, for translation and accessibility adaptation.
Moderators are trained in managing speaking time and in running audience questions, including remotely.
Roles in a session
| Role | Mission | Typical number |
|---|---|---|
| Moderator | Leads and manages time | 1 |
| Speaker | Presents their expertise | 2 to 4 |
| Discussant | Responds to the presentations | 1 |
| Rapporteur | Writes the summary | 1 |
Milestones
- Call for proposals
Opening.
- Selection
Committee decision.
- Briefing
Interviews with moderators.
- Presentations
Submission of materials.
Declared interests



Application or invitation

Application
Call for proposals- Open to all
- Committee review
- One-page summary
To propose a subject.

Invitation
Committee's choice- Coverage of themes
- Recognised expertise
- Costs covered where applicable
To complete the programme.
Propose a talk
- Write
A one-page summary.
- Submit
Online.
- Wait
The decision.
- Prepare
With the moderator.
- Speak
During the Forum.
Application file
A moderator

« My role is to get people talking who do not usually talk to each other: a customs officer and a platform director, for example. »
Vocabulary of speakers
- Moderator
- Person who leads a session.
- Discussant
- Person who comments.
- Declared interest
- Relationship that may influence what is said.
- Rapporteur
- Author of the summary.
After the Forum
The talks give rise to a short summary published with the replay. Speakers may submit a text for the OIMAP Review, subject to the opinion of the reading committee. A satisfaction survey is sent to them to improve later editions.
The best feedback from participants is passed on to speakers, who can thus enrich their next presentations.
Frequently asked questions
Are speakers paid?
No, except for expenses covered.
How do I apply?
Through the annual call for proposals.
Can I speak online?
Yes, with the committee's agreement.
Where can I watch a talk again?
See Replay.
Useful documents
Contacts

See the replay
Image credits (16)
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- A Lady Reading, Francis Seymour Haden (1833–1910) — Cleveland Museum of Art, CC0 1.0
- Farmhouse on the Slope of a Hill, Fra Bartolommeo (c. 1508) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Panel (c. 1780–1840) — Cleveland Museum of Art, CC0 1.0
- A Palace with an Arched Bridge (A Roman Villa), Hubert Robert (1760) — Cleveland Museum of Art, CC0 1.0
- Side Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Twilight in the Wilderness, Frederic Edwin Church (1860) — Cleveland Museum of Art, CC0 1.0
- Boy with Anchor, Winslow Homer (1873) — Cleveland Museum of Art, CC0 1.0
- Bookplate: Boylston Medical Library, George Girdler Smith (1806–39) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Digital Market ForumThe annual meeting of online art sales professionals: two days, around 1,200 participants and 60 speakers.›
Forum programmePlenaries, practical workshops and presentations spread over two days: the schedule of the Forum on the digital market.›
Forum replayWatch the Forum sessions again free of charge for twelve months: access, formats, subtitles, materials and reuse.›