Pages in this section
The seven directivesEach of the seven OIMAP directives of 2019 presented: purpose, obligations, addressees and examples of application.›
Implementation of the directivesHow Member States transpose the seven directives: progress, difficulties, support and timetable.›
Frequently asked questions on the directivesAnswers to the most frequently asked questions on the seven OIMAP directives of 2019: scope, obligations, sanctions and remedies.›
Seven directives for a common market

In 2019, the OIMAP Assembly of Member States adopted seven directives that form the common foundation of art market regulation. Each deals with a specific question and sets obligations that States must transpose into their law.
They answer a simple idea: an operator who follows the same rules in sixty-seven States can work without fearing differences. In 2024, sixty-one States had transposed the seven directives.
This section has three pages: the seven directives, implementation and frequently asked questions.
OIMAP Directives 2019 in figures
Source: OIMAP Legal Affairs Department.
The three pages of the section



An architecture in seven parts
The first directive creates the registry of works and their numbering. The second establishes mutual recognition of certificates. The third sets operators' due diligence, the fourth the transparency of transactions, the fifth circulation and licences, the sixth the protection of the good-faith buyer, the seventh authentication.
These seven parts form a system: the work is identified (01), its certificate is recognised (02), the operator checks (03), declares (04), circulates (05), is protected if they have done their job properly (06), and authenticity is established by a common method (07).
A text negotiated by States
The directives were drawn up by a drafting committee made up of lawyers from twenty States, after two public consultations and three readings by the Assembly. They were the subject of compromises: fairly long transposition periods, proportionality clauses for small operators, transitional regimes.
They are supplemented by recommendations and guides that clarify their application, but which have no binding force.
A foundation that evolves
The 2019 directives are not set in stone. They are revised every five years, preceded by an evaluation and a public consultation. The first revision is planned for 2024-2025 and will notably cover due diligence applied to online sales.
Between two revisions, the drafting committee may propose targeted amendments when practice shows the need. Several have already been adopted for directives 03 and 04.
The seven directives
| No. | Purpose | Main addressees |
|---|---|---|
| 2019-01 | Registry of works and numbering | States, Secretariat |
| 2019-02 | Mutual recognition of certificates | States |
| 2019-03 | Due diligence | Operators |
| 2019-04 | Transparency of transactions | Operators |
| 2019-05 | Circulation and licences | States, customs |
| 2019-06 | Good-faith acquirer | Judges, buyers |
| 2019-07 | Authentication | Experts, certification committee |
Landmarks
- Start of the work
Drafting committee.
- Public consultations
Two consultations.
- Adoption
Seven directives.
- Full transposition
36-month period elapsed.
Transposition does not mean identity



Directive or regulation

OIMAP directive
Objectives to be achieved- Transposition by each State
- Respect for legal traditions
- Flexibility
OIMAP's choice.

Regulation
Directly applicable text- Total uniformity
- Less flexibility
- Not adopted by the Assembly
Set aside in 2019.
Understanding the text of a directive
- Read
Read the text.
- Identify
Identify the obligations that apply to you.
- Search
Consult the national transposition law.
- Apply
Adapt your procedures.
- Monitor
Check regularly.
For an operator
The chair of the drafting committee

« We wanted seven short, readable texts rather than a monumental code that nobody would read. »
Vocabulary of the directives
- Assembly of Member States
- OIMAP's deliberative body.
- Transposition
- Incorporation of a directive into national law.
- Proportionality clause
- Relief for small operators.
- Transitional regime
- Temporary rules during a change.
Frequently asked questions
Do the directives apply to private individuals?
They mainly target operators, but some rights benefit private individuals.
Where can I read the text?
In the consolidated texts.
What if my State has not transposed?
Apply the directives as good practice.
Who checks?
The States and the Secretariat.
Useful documents
Contacts

Discover the seven directives
Image credits (23)
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- Hours of Queen Isabella the Catholic, Queen of Spain, Master of the First Prayerbook of Maximillian (c. 1500) — Cleveland Museum of Art, CC0 1.0
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- Qur'an Manuscript Folio (recto; verso); Left side of Bifolio (800s) — Cleveland Museum of Art, CC0 1.0
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- Missale: Fol. 185v: Crucifixion with borders (full page), Bartolommeo Caporali (1469) — Cleveland Museum of Art, CC0 1.0
- Qur'an Manuscript Folio (800s) — Cleveland Museum of Art, CC0 1.0
- Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
- St. Catherine of Siena and the Beggar, Giovanni di Paolo (1460s) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Missal: The Crucifixion (recto) and Text (verso) (c. 1330–40) — Cleveland Museum of Art, CC0 1.0
- Miniature from a Manuscript of the Apocalypse: The War in Heaven (c. 1295) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- The Pyramid of Cestius, Rome, Michiel van Overbeek (c. 1650–80) — Cleveland Museum of Art, CC0 1.0
- Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri (835 AH/1431–32 CE) — The Metropolitan Museum of Art, CC0 1.0
- Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) and Calendar Page with Peasant (verso) (c. 1524) — Cleveland Museum of Art, CC0 1.0
- Woman Sitting Reading , Georges Lemmen (1905) — Cleveland Museum of Art, CC0 1.0
- Carved Lacquer Scroll Box (1736–95) — Cleveland Museum of Art, CC0 1.0
- Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso), Bihzad (c. 1485) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0


The seven directivesEach of the seven OIMAP directives of 2019 presented: purpose, obligations, addressees and examples of application.›
Implementation of the directivesHow Member States transpose the seven directives: progress, difficulties, support and timetable.›
Frequently asked questions on the directivesAnswers to the most frequently asked questions on the seven OIMAP directives of 2019: scope, obligations, sanctions and remedies.›
Directive No. 2019-07The protocol for authenticating cultural property: five titles and twenty-four articles that set the common method of certification.›