Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Protection

Restitutions completed

The 847 works returned since 2007: statistics, examples, lessons and handover ceremonies.

Updated : October 28, 2026· 3 min read

What has been returned

Figurine (300–100 BCE)
Figurine (300–100 BCE)

Since 2007, 847 works have found their lawful owner again with OIMAP's support. Paintings, sculptures, archaeological objects, manuscripts: each piece tells a story of disappearance, search and reunion.

The pace has quickened: about a dozen restitutions a year before 2012, ninety-six in 2024. This progress reflects the effectiveness of the BIOP database, better cooperation with police forces and the growing strength of mediation.

This page presents the figures, a few examples and the lessons learned.

  • Restitutions
  • Stories
  • Return

Restitutions completed in figures

847Works restituted
96Restitutions in 2024
38Recipient countries
91%Amicable agreements

Source: OIMAP Heritage Protection Department.

Breakdown

Paintings and drawings32%
Archaeological objects28%
Sculpture16%
Tribal art14%
Books and manuscripts10%

Restitutions by category of property.

A few stories

A bronze statue, stolen from a museum in 2005, was identified in 2022 when offered for sale in a gallery abroad. The gallery, informed by the BIOP database, withdrew it from the market and returned it to the institution three months later.

A set of thirty-two tablets looted from an archaeological site was seized during a joint operation. After appraisal, it was handed to its country of origin at an official ceremony attended by elected officials, archaeologists and residents of the region.

Female Bowl-Bearing Figure (lid) (late 1800s-early 1900s)
Female Bowl-Bearing Figure (lid) (late 1800s-early 1900s)
The Dance at the Court of Herod, Israhel van Meckenem (c. 1500)
The Dance at the Court of Herod, Israhel van Meckenem (c. 1500)
Beaded Necklace (c. 1900)
Beaded Necklace (c. 1900)

What these cases teach

The first lesson is that speed counts: the earlier the work is spotted, the simpler the restitution. The second is that operators' cooperation is decisive: most quick restitutions come from a dealer or auction house that withdrew the work as soon as it discovered its origin.

The third is that documentation, notably old photographs and inventories, saves months of procedure. Hence the importance of prevention.

After the restitution

Once the work is returned, OIMAP offers support: conservation advice, help with exhibiting, setting up suitable security. For small museums, this support is valuable, because a restituted item must also be protected.

Good-faith holders are compensated when the law or the agreement so provides. Their collaboration is recognised: OIMAP publishes, with their agreement, thanks that highlight their exemplary conduct.

A heritage recovered

Every restitution strengthens trust in the market: it shows that the rules serve a purpose. It also encourages owners to report a theft, dealers to withdraw doubtful pieces and States to cooperate.

OIMAP's goal is to reach one thousand cumulative restitutions within three years, by consolidating mediation, speeding up identification and supporting States in preparing their cases.

Figures by period

A clear acceleration
PeriodRestitutionsAnnual average
2007-20115812
2012-201614228
2017-202124649
2022-2024401134

Landmarks

  1. First restitution

    A painting.

  2. One hundred works

    Milestone passed.

  3. Five hundred works

    Mediation in place.

  4. 847 works

    Cumulative total.

Good-faith holders are recognised

Gathering among the Members of Office Censor-General (1700s)
Gathering among the Members of Office Censor-General (1700s)
Female Mask (Gambanda or Kambanda) (early 1900s)
Female Mask (Gambanda or Kambanda) (early 1900s)
Black-Figure Kotyle (Drinking Cup): Animal Friezes, Shoe Lane Painter (600s–500s BCE, with modern painting and )
Black-Figure Kotyle (Drinking Cup): Animal Friezes, Shoe Lane Painter (600s–500s BCE, with modern painting and )

Definitive return or loan

Egúngún Masquerade Dance Costume (1900s)

Definitive return

The work goes back to its owner
  • Solution of principle
  • End of the dispute
  • Sometimes hard to accept

Usual answer.

Coronation of the Virgin, Christoffel Jegher (1632–36)

Long-term loan

The work stays on display in the holding museum
  • Compromise
  • Keeps public access
  • Requires a precise contract

Negotiated option.

Organising a handover

  1. Prepare

    Fix the date and place.

  2. Pack

    Prepare the work.

  3. Transport

    Use secure transport.

  4. Hand over

    Organise the ceremony.

  5. Document

    Draw up the report.

A holder's reflexes

A dealer

Pendant: Crocodile (1930 or earlier)
« When I found out the painting was stolen, I withdrew it that same evening. The owner phoned to thank me, and we have stayed in touch. »
Gaspard Millet, art dealer

Vocabulary of handovers

Official handover
Ceremony for the return of a work.
Compensation
Sum paid to the good-faith holder.
Handover report
Instrument recording the return.
Ceremony
Public handover event.

Frequently asked questions

Are restitutions public?

Some are, with the parties' agreement.

Who pays for the transport?

According to the agreement, often shared.

Are holders compensated?

In some cases, according to the law or the agreement.

Where can I see other examples?

In the annual report.

Useful documents

Contacts

The Doge's Palace, Venice, Richard Parkes Bonington (1826)
The Doge's Palace, Venice, Richard Parkes Bonington (1826)
Heritage Protection DepartmentParis — Headquarters+33 1 00 00 03 00protection@oimap.exampleMonday to Friday, 9 am – 5 pm

Request a restitution

Image credits (16)
▲