The art market, country by country

The statistical part of a country profile gives a summary picture of the national art market. It makes it possible to place a State within its region and within the global market, estimated at €67.8 billion in 2024, up 5.8%. National data are presented as indicative, because collection methods vary from one State to another.
The data are collected by the OIMAP Studies Directorate from the declarations of focal points, customs statistics and reports from auction houses.
For the applicable law, see the national legal framework; to reach a contact person, see the contacts.
Market figures in numbers
Source: Member States Relations Directorate.
What the statistical part measures
Each profile presents the indicative annual sales volume, the number of declared operators, the share of online sales and the breakdown by segment. These indicators are expressed in euros and, where possible, as a percentage of the regional market.
The segments follow the Organisation's nomenclature: painting, contemporary art, furniture and other objects, sculpture, tribal art. Globally, painting accounts for 38% of the market and contemporary art for 22%.



Reading a figure with caution
A market figure depends on what is counted: public sales, private treaty sales, online sales. Some private transactions escape any statistics. The profile therefore states the scope used and flags known gaps.
Year-on-year variations may reflect a change of method as much as a real change. That is why the series are accompanied by methodological notes.
The main sales venues
For each State, the profile identifies the cities where activity is concentrated: capitals, free ports, fair cities. It lists the main auction houses and annual fairs, which helps professionals choose where to consign or buy.
The record sales of 2024, such as that of Twilight over the Neva at €74.3 million, took place at only a few venues; the vast majority of transactions take place on a much more modest scale.
Emerging and established markets
The profiles make it possible to distinguish established markets, with long-standing and structured activity, from developing markets. In several Asia-Pacific and African States, volume is still modest but growth is rapid, driven by online sales and the tastes of local collectors.
This reading guides the technical cooperation programmes: the Organisation gives priority to supporting States whose control framework has not yet kept pace with the growth of the market.
Indicators of a profile
| Indicator | Unit | Reliability |
|---|---|---|
| Annual sales volume | Millions of euros | Indicative |
| Share of online sales | Percentage | Indicative |
| Dominant segments | Ranking | Indicative |
| Number of operators | Units | Declarative |
Milestones
- First collection
The founders submit their first data.
- Common nomenclature
The segments are harmonised.
- Online sales
A dedicated indicator is added.
- Global market
€67.8 billion, +5.8%.
Indicative data



Established or emerging market

Established market
Long-standing activity- Many operators
- Structured controls
- Moderate growth
Priority on compliance.

Emerging market
Rapid growth- Framework under construction
- Significant online sales
- Need for support
Priority on technical cooperation.
Using a statistical profile
- Target
The State and the period.
- Read
The scope used.
- Compare
To the regional average.
- Cite
The OIMAP source.
- Request
Detailed series.
Before citing a figure
A market analyst

« The profiles give me a common framework for comparing countries that do not publish their statistics in the same way. »
Statistical vocabulary
- Segment
- Category of works: painting, sculpture, etc.
- Scope
- All the sales taken into account.
- Sales venue
- City where activity is concentrated.
- Historical series
- Data over several years.
Using the figures
The statistics may be reused freely provided the source is cited. Researchers, journalists and analysts use them for comparative studies, and administrations to calibrate their controls.
The detailed series are available for download in the member area. For a request for specific data, the Studies Directorate replies within an indicative period of fifteen days.
Frequently Asked Questions
Are the figures official?
Only the figures of the Organisation's official list are; the others are indicative.
Can the data be reused?
Yes, citing the source.
Where can I find local law?
Useful Documents
Contacts

Reaching a contact person
Image credits (17)
- Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
- Power figure (nkisi) (late 1800s–early 1900s) — Cleveland Museum of Art, CC0 1.0
- View of Venice, Jacopo de' Barbari (1500) — Cleveland Museum of Art, CC0 1.0
- Wine Ewer with Incised Scroll Design (1100s) — Cleveland Museum of Art, CC0 1.0
- Arrival of the "Southern Barbarians" (c. 1600) — Cleveland Museum of Art, CC0 1.0
- Vase (c. 1000) — Cleveland Museum of Art, CC0 1.0
- Seven Jeweled Mountain (late 1800s) — Cleveland Museum of Art, CC0 1.0
- Akshobhya: the Buddha of the East (late 800s) — Cleveland Museum of Art, CC0 1.0
- Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
- Maharaja of Kotah Listening to Music and Watching Dancers (c. 1820) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- The Doge's Palace, Venice, Richard Parkes Bonington (1826) — Cleveland Museum of Art, CC0 1.0
- Bird Standard (early to mid-1900s) — Cleveland Museum of Art, CC0 1.0
- Dune Scene with Peasant Figures, Willem van de Velde (mid-1650s) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Country ProfilesOne profile per Member State: national legal framework, art market figures and focal point contacts.›
National legal frameworkThe legal part of each country profile: protection laws, export regimes, ratifications and competent authorities.›
Country profile contactsThe practical part of the country profiles: heritage department, national focal point, languages of correspondence and opening hours.›
List of the 67 StatesThe 67 OIMAP Member States, presented in alphabetical order, by date of accession and on an interactive map.›