From the Charter to practice

This guide turns the Charter's ten practices into concrete actions. It follows the life cycle of an acquisition: preparation, purchase, possession, transmission. Each step points to the OIMAP services that make the task easier.
The reference text is found on the page Ten good practices. The procedures are described in the OIMAP Desk.
The collector's practical guide in figures
Source: OIMAP General Secretariat.
Prepare the acquisition
Before committing, identify the work, the seller and the stated provenance. Ask for the available documents: certificates, earlier invoices, appraisals, mentions in catalogues. Consult BIOP and verify each certificate online.
A seller who hesitates to provide these items, or who demands very rapid payment, warrants the greatest caution.



Secure the purchase
Have the contract state the origin of the work, the seller's undertaking as to ownership and lawfulness, and the obligation to hand over all the documents. Keep the invoice, proof of payment and correspondence.
For an item coming from abroad, check the export licence and the import formalities. The Desk issues the relevant licences.
Build the work's file
For each work, assemble a single file: photographs, dimensions, condition, acquisition documents, insurance, certificates. The Desk offers registration of the work, which issues an OIMAP number and a passport.
This file facilitates insurance, loans to a museum, restoration and, later, transmission to heirs.
Preserve and insure
Insure the work for its current value and have that value reviewed regularly. Keep it in good conditions of temperature, humidity and security. A periodic condition report documents its state.
Plan for the security of the premises: detection, restricted access, up-to-date inventory. A poorly protected work is more exposed to theft and harder to recover.
Timeline of checks
| Timing | Check | Useful service |
|---|---|---|
| Before purchase | Provenance, BIOP, certificate | Desk, BIOP |
| At purchase | Contract, invoice, licence | Desk |
| After purchase | Registration, insurance | Desk |
| Every year | Value, condition, inventory | Condition report |
| At transmission | Title, up-to-date certificates | Title of ownership |
Milestones
- Preparation
Documentary checks.
- Signature
Contract and payment.
- Registration
File and insurance.
- Review
Value, condition, documents.
Keep a record of every check



Buying from a gallery or at auction

Gallery
Identified seller- Direct invoice
- Certificate provided
- Seller's guarantee
Simpler.

Auction sale
Approved house- Detailed catalogue
- Conditions of sale
- Fees to anticipate
Check the accreditation.
Application in four stages
- Prepare
Identify and verify.
- Buy
Secure by contract.
- Document
Register the work.
- Maintain
Insure and review.
Complete work file
A collection registrar (example)

« A well-kept file saves weeks when arranging a loan. We build it as soon as the work arrives. »
Glossary
- Registrar
- Person responsible for the movements and condition of works.
- Licence
- Administrative authorization to import or export.
- Work passport
- Identity record of a registered work.
- Bequest
- Transmission of property by will.
What to do in case of doubt
If doubt arises about the authenticity or origin of a work already acquired, do not resell it. Gather the documents, seek an expert opinion and, if necessary, report the situation to OIMAP.
A spontaneous approach is almost always better received than a discovery by the authorities. Mediation often makes it possible to reach a fair arrangement.
Frequently asked questions
Where do I start?
With the registration of your current works.
How much does a complete file cost?
See the fees.
Must I have all my works certified?
Not necessarily; prioritize the most valuable or most exposed.
Can I delegate these procedures?
Yes, to an agent or an adviser.
Useful documents
Contacts

Start at the Desk
Image credits (17)
- Interior Drawer for Cabinet, André-Charles Boulle (c. 1690) — Cleveland Museum of Art, CC0 1.0
- Adoration of the Shepherds, Carlo Dolci (c. 1670) — Cleveland Museum of Art, CC0 1.0
- Cabinet Plate, W. T. Copeland & Sons (1883) — Cleveland Museum of Art, CC0 1.0
- Head of a Woman (400–200 BCE) — Cleveland Museum of Art, CC0 1.0
- Bowl with Chrysanthemums, Seifū Yohei IV (1914–46) — Cleveland Museum of Art, CC0 1.0
- India. Benares. Aurangzeb's Mosque, after a photo by Dr. Kurt Boeck, Photoglob Co. (c. 1890–1910) — Cleveland Museum of Art, CC0 1.0
- Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson (1872) — Cleveland Museum of Art, CC0 1.0
- The Lock at Pontoise, Camille Pissarro (1872) — Cleveland Museum of Art, CC0 1.0
- Towel End (c 1700s- 1800s) — Cleveland Museum of Art, CC0 1.0
- The Thinker, Auguste Rodin (1880–81) — Cleveland Museum of Art, CC0 1.0
- The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Su (c. 1820–30) — Cleveland Museum of Art, CC0 1.0
- Maharaja of Kotah Listening to Music and Watching Dancers (c. 1820) — Cleveland Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- Sports on a Frozen River, Aert van der Neer (ca. 1660) — The Metropolitan Museum of Art, CC0 1.0
- Aureus: Bust of Claudius I (obverse); Triumphal Arch with Equestrian Statue and Trophies (reverse) (47–48 CE) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- Pastoral Landscape with Ruins and a Ford, Gerhardt Janssen (1722) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
The Collector's CharterTen good practices for acquiring, keeping and transmitting cultural property with legal certainty.›
Download the CharterThe text of the Collector's Charter in PDF, in French, English and Spanish, with advice on use.›
Desk feesIndicative scale of OIMAP Desk services and conditions of the reduced rate.›
CertificationAuthenticating, tracing and protecting a work: all the certificates, titles, licences and labels issued by OIMAP.›