The voices of those involved

The interview collection gives the floor to those who keep the sector alive: curators, magistrates, auctioneers, collectors, customs officers, restorers and leaders of the Organization. Each interview lasts about twenty minutes.
The interviews are conducted by an independent journalist or a member of the editorial team, based on a questionnaire prepared with the guest.
The field reports show the action; the interviews explain its meaning.
Interviews in figures
Source: Events and Communications Directorate.
Who is invited
Guests are chosen for their experience and the diversity of their viewpoints. The editorial committee ensures a balance between regions, professions and generations, and gender parity among the speakers.
The interviews are neither promotional interviews nor polemical debates: they seek precision.



The formats
Three formats coexist: the twenty-minute in-depth interview, the ten-minute portrait and the dialogue between two professionals. The latter makes it possible to compare, for example, the views of a customs officer and those of a gallery owner.
Each format is identified by a distinct thumbnail in the collection.
The questionnaire
The questions are sent to the guest a week before filming. They cover career path, a formative experience, changes in the profession and advice for young professionals.
The guest reviews the transcript before publication and may request clarifications, but not substantive deletions.
Educational use
The interviews serve as a resource for the Academy and at partner universities. Excerpts of one to three minutes are offered with a teaching sheet for teachers.
An annual anthology collects the most requested transcripts.
Interview formats
| Format | Duration | Use |
|---|---|---|
| In-depth interview | 20 min | Explore a career path |
| Portrait | 10 min | Present a profession |
| Dialogue | 25 min | Compare two perspectives |
Milestones
- First interviews
Leaders.
- Dialogues
Two professionals.
- Teaching sheets
Excerpts.
- 96 interviews
Extended collection.
Proofreading



Long interview or portrait

Long interview
Twenty minutes- In-depth reflection
- Transcript
- Archives
To understand.

Portrait
Ten minutes- Brisk pace
- Profession presented
- Educational format
To discover.
Conducting an interview
- Invite
Choose.
- Prepare
Questionnaire.
- Film
Studio.
- Review
Transcript.
- Publish
Subtitles.
Before recording
A magistrate

« Talking about my profession to young people discovering the sector is a responsibility. The team made me feel at ease. »
Vocabulary
- Portrait
- Short interview focused on one profession.
- Transcript
- Written version of an interview.
- Dialogue
- Interview with two voices.
- Teaching sheet
- Educational aid.
Interviews with management
The Secretary-General, the communications directorate and the technical directors regularly speak about the Organization's priorities. These interviews are published before the General Assembly.
They are available in three languages and may be used by the press with acknowledgement of the source.
Suggest a guest or a topic
Anyone may suggest a guest or an interview theme by message to the media library. The editorial committee reviews the proposals every quarter, taking into account the balance of the collection and the availability of those concerned.
Accepted suggestions lead to an initial contact by the editorial team, which explains the process, the duration and the terms of broadcast.
Frequently asked questions
Who conducts the interviews?
A journalist or a member of the editorial team.
Can I suggest a guest?
Yes, by message to the media library.
Are the interviews subtitled?
Yes, in three languages.
Where to see the lectures?
See Lectures.
Useful documents
Contacts

See the lectures
Image credits (17)
- Boy with Cigar (c. 1855) — Cleveland Museum of Art, CC0 1.0
- Bidri Hookah Bowl with Roses (c. 1650s) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- La Belle Jardinère: le magasin de la rue de la Cité pendant sa demolition, Paris, Charles Marville (1864–66) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
- The Music Teacher's Wife (c. 1850s) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- Kenilworth Castle, Warwickshire, England, Adolphe Braun (c. 1870s) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- Fortified Peak, Near the Tank, Ulwur, Louis-Théophile Marie Rousselet (1865–68, published 1869–70) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Panel (c. 1780–1840) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
- Futtypore Sikri—Two of the Marbled Screens in the Tomb of Sheik Selim Chisti, Samuel Bourne (1866) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) and Calendar Page with Peasant (verso) (c. 1524) — Cleveland Museum of Art, CC0 1.0
- Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Video library480 videos in open access: filmed lectures, field reports and interviews, with subtitles in three languages.›
Filmed lecturesTalks from conferences, seminars and the General Assembly, on video with subtitles and transcript.›
ReportsShort field films: restitution operations, training, restorations and behind the scenes of the art market.›
OIMAP ReviewThe Organisation's quarterly review: articles evaluated by a reading committee, thematic dossiers, book reviews and agenda.›