Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Regulation

States parties to the UNIDROIT Convention 1995

Which States have ratified the UNIDROIT Convention: global situation, situation of OIMAP Member States and the stakes of accession.

Updated : October 28, 2026· 3 min read

A more limited membership

Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815)
Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815)

About fifty States are parties to the UNIDROIT Convention. Of the 67 OIMAP Member States, 29 have ratified it. The figure is rising slowly but steadily.

Ratification means accepting long claim periods and broader jurisdiction for the courts. For the large importing States, this choice is politically sensitive.

This page presents the situation, the reasons for some States' caution and OIMAP's work to encourage accession.

  • States parties
  • Accession
  • Monitoring

States parties to the UNIDROIT Convention 1995 in figures

≈50States parties worldwide
29OIMAP Member States that are parties
38Member States that are not parties
4Ratifications since 2019

Source: OIMAP Legal Affairs Department.

Breakdown

Europe12
Americas7
Africa5
Asia-Pacific3
Middle East2

OIMAP Member States that are parties, by region.

Why some States hesitate

Importing States fear the uncertainty hanging over transactions: a buyer could see their property claimed decades after the purchase. Exporting States, for their part, see in the Convention a valuable protection, but dread the cost of litigation and the complexity of the procedures.

OIMAP proposes a middle path: apply the principles of the Convention in operators' practices, without waiting for ratification. Directives 2019-03 and 2019-06 go in this direction.

Coronation of the Virgin, Christoffel Jegher (1632–36)
Coronation of the Virgin, Christoffel Jegher (1632–36)
Talatat: Portrait of Nefertiti (c. 1353–1347 BCE)
Talatat: Portrait of Nefertiti (c. 1353–1347 BCE)
The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760)
The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760)

What ratification changes

For a State, ratifying opens to its nationals the restitution action before the courts of other States parties, and gives its courts jurisdiction to rule on foreign claims. For an operator, it makes the Convention's time limits and compensation applicable.

OIMAP provides transposition notes and training to support States in this process. It also publishes an analysis of the impact of ratifications on the market, prepared with economists from the Observatory.

Towards wider accession

OIMAP estimates that a third of the Member States that are not parties could ratify within five years, provided that impact studies reassure them about the effects on the market. In 2024 it launched a support programme for States wishing to ratify.

This programme includes an assessment of national law, a legal workshop with market professionals, drafting support and post-ratification follow-up.

Situation by region

Ratifications by region
RegionMember StatesParties to UNIDROITRate
Europe271244%
Americas11764%
Africa8563%
Asia-Pacific14321%
Middle East7229%

Landmarks

  1. Adoption

    Rome Conference.

  2. Entry into force

    Five ratifications.

  3. Twenty-five States

    Steady progress.

  4. 29 OIMAP Member States

    Rate of 43%.

Reservations

State party or non-party State

The Calumny of Apelles, Giorgio Ghisi (1560)

State party

Has ratified UNIDROIT
  • Action before its courts
  • Compensation of the diligent possessor
  • Harmonised time limits

More predictability.

Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439)

Non-party State

Has not ratified
  • National law only
  • Variable time limits and protection
  • Less predictability

Increased diligence advised.

Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (c. 520–515 BCE)
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (c. 520–515 BCE)
The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530)
The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530)
The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855)
The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855)

Assessing the effect of the Convention in an operation

  1. Identify

    Identify the States concerned.

  2. Check

    Know whether they are parties.

  3. Date

    Compare with the dates of entry into force.

  4. Assess

    Measure the risk of a claim.

  5. Adapt

    Strengthen diligence if necessary.

Useful questions

A negotiator

Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840)
« A treaty is never the end of a negotiation: it is the start of a long conversation with States. »
Samuel Okeke, former delegate

Vocabulary of accessions

Instrument of ratification
Document by which a State commits itself.
Declaration
Unilateral clarification by a State.
Reciprocity
Application conditional on that of the other State.
Entry into force
Moment from which a treaty applies.

Frequently asked questions

Where can I see the official list?

From UNIDROIT, which keeps the register.

Why so few ratifications?

Fears of legal uncertainty.

Can OIMAP help me ratify?
What is the link with the UNESCO Convention?

Useful documents

Contacts

Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), Lievin Cruyl (1664)
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), Lievin Cruyl (1664)
Legal Affairs DepartmentParis — Headquarters+33 1 00 00 02 00juridique@oimap.exampleMonday to Friday, 9 am – 5 pm

Read the commentaries

White-Ground Lekythos (Oil Vessel): Mourners at Tomb (c. 400s BCE, with modern painting)

Interpretations and debates.

Commentaries
Image credits (16)
  • The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
  • Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
  • Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
  • Talatat: Portrait of Nefertiti (c. 1353–1347 BCE) — Cleveland Museum of Art, CC0 1.0
  • The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
  • The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
  • Portrait of John VIII Palaoelogus, Emperor of Constantinople, 1424-1428 (reverse), Pisanello (c. 1438–1439) — Cleveland Museum of Art, CC0 1.0
  • Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (c. 520–515 BCE) — Cleveland Museum of Art, CC0 1.0
  • The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
  • The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
  • Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
  • Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), Lievin Cruyl (1664) — Cleveland Museum of Art, CC0 1.0
  • Two Boats with Female Mourners (c. 667–647 BCE) — Cleveland Museum of Art, CC0 1.0
  • Red-Figure Column Krater (Mixing Vessel): Satyrs Pursuing Maenads, Naples Painter (440–430 BCE) — Cleveland Museum of Art, CC0 1.0
  • Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, Giovanni Battista Nolli (1748) — Cleveland Museum of Art, CC0 1.0
  • White-Ground Lekythos (Oil Vessel): Mourners at Tomb (c. 400s BCE, with modern painting) — Cleveland Museum of Art, CC0 1.0
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