Speaking to millions of people

Each year, OIMAP launches several awareness campaigns, each devoted to a theme: provenance, looting, heritage in danger, responsible purchasing, inheritance. They rely on varied media and reach several tens of millions of people.
The latest campaign, entitled "Ask where it comes from", was broadcast in thirty-four States. It led to a twenty-four per cent rise in consultations of the BIOP database.
This page presents the campaigns, how they are built and their results.
Awareness campaigns in figures
Source: OIMAP Heritage Protection Department.
Building a campaign
A campaign starts from a finding: a behaviour to change or information to circulate. The team defines a clear message, a precise audience and measurable objectives. It then chooses the media, produces the content, mobilises relays and plans the evaluation.
Each campaign is tested on a sample of audiences before launch, to check that the message is understood and does not have the opposite effect. Content is adapted to cultures and languages.



Some landmark campaigns
"An object, a story" (2019) invited people to discover the story of a stolen and recovered object. "No provenance, no purchase" (2021), aimed at collectors, was relayed by auction houses. "Site Guardians" (2023) highlighted the residents who protect their heritage.
"Ask where it comes from" (2024) was aimed at the general public, with short spots and an online test: "Would you be able to spot a looted object?" More than two million people took it.
Measuring results
Each campaign is evaluated through indicators of audience (number of people reached), engagement (shares, visits, tests), understanding (before-and-after surveys) and behaviour (BIOP consultations, reports, training requests).
The results are published. The lessons — effective messages, high-performing channels, hard-to-reach audiences — feed the following campaigns. An external evaluation committee reviews the results every two years.
Campaigns and operators' commitment
Approved auction houses, galleries and platforms receive campaign kits that they can circulate to their clients: posters for salerooms, banners for websites, messages for catalogues. Many display the "Provenance Checked" label that extends the campaign.
This involvement of the market has a double benefit: it spreads the message to buyers and it shows professionals' commitment to heritage protection.
Recent campaigns
| Campaign | Year | Key result |
|---|---|---|
| An object, a story | 2019 | 12M views |
| No provenance, no purchase | 2021 | +18% BIOP consultations |
| Site Guardians | 2023 | 9 partner States |
| Ask where it comes from | 2024 | +24% BIOP consultations |
Landmarks
- First poster
Airports.
- Social media
First spots.
- Collectors campaign
Auction houses.
- Online test
2M participants.
A campaign is not an end



General campaign or targeted campaign

General
General public- Wide reach
- Simple message
- Less measurable effect
To mobilise.

Targeted
Collectors, communities- Adapted message
- Stronger effect
- Restricted audience
To convince.
Joining a campaign
- Inform
Consult the materials.
- Adapt
Translate and contextualise.
- Disseminate
Share with your network.
- Measure
Track the results.
- Share
Feed back lessons learned.
Resources available
A communications manager

« We took up the campaign as it was, just changing the language. The strength of the message did the rest. »
Vocabulary of campaigns
- Engagement
- Interaction of the public with a piece of content.
- Spot
- Short promotional video.
- Indicator
- Numerical measure of a result.
- Evaluation committee
- Group in charge of analysing results.
Frequently asked questions
Can I reuse the materials?
Yes, under an open licence with mention of the source.
Is there a cost?
No.
How can I take part?
By contacting the Department.
Where can I find the results?
See the annual report.
Useful documents
Contacts

See the educational resources
Image credits (16)
- St. Anthony Reading, Albrecht Dürer (1519) — Cleveland Museum of Art, CC0 1.0
- Landscape with Castle and Shepherds, Achille Etna Michallon (1814) — Cleveland Museum of Art, CC0 1.0
- Woman Sitting Reading , Georges Lemmen (1905) — Cleveland Museum of Art, CC0 1.0
- Gathering among the Members of Office Censor-General (1700s) — Cleveland Museum of Art, CC0 1.0
- High Class Students and Teachers at Bishop Cotton School, Shimla (verso), Raja Deen Dayal (c. 1882–87) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia, Volume I: The Great Sphinx, Pyramids of Gezeeh, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
- Bookplate: Boylston Medical Library, George Girdler Smith (1806–39) — Cleveland Museum of Art, CC0 1.0
- Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider (c. 1495) — Cleveland Museum of Art, CC0 1.0
- A Lady Reading, Francis Seymour Haden (1833–1910) — Cleveland Museum of Art, CC0 1.0
- Album with Views of Rome and Surroundings, Landscape Studies, page 23a: Castle Saint Angelo, Rome, Franz Johann Heinrich Nadorp (c. 1830s-70s) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Temple at Naveshera, Kashmir, India, Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- Temple of Athene Nike. Venus Victrix—Wingless Victory, Dimitrios Constantin (c. 1850s–60s) — Cleveland Museum of Art, CC0 1.0
- Lace Towel End (c. 1700s–1800s) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Awareness-raisingChanging perceptions: campaigns, educational resources and Heritage Day so that everyone understands what trafficking destroys.›
Educational resourcesTeaching kits, games, travelling exhibitions and training to learn about heritage and its protection, from school to museum.›
Heritage DayAn annual event around 18 April: events in forty States, themes, how to take part and organise an event.›