Lawyers and market connoisseurs

The credibility of an arbitral tribunal rests on the quality of those who make it up. The TAO brings together academics, lawyers, former judges, art-market experts and heritage specialists, chosen for their competence and integrity.
The composition is renewed regularly to ensure diversity of profiles, legal traditions and geographical origins. Women now make up 41% of the list.
This page presents the bodies of the tribunal, the appointment criteria and the rules of independence.
Composition of the tribunal in figures
Source: Registry of the OIMAP Arbitral Tribunal.
The president and the council
The president is elected for four years by the council. Pr. Henri-Louis Vasseur, a specialist in private international law, holds this office. The nine-member council includes lawyers from five continents, a representative of market operators and a representative of Member States.
The council sets the tribunal's general policy, approves the Rules and scales of fees, appoints the arbitrators on the list and examines challenges. It never deals with a particular case.



The four chambers
The authenticity chamber deals with disputes over attribution of works, appraisals and fakes. The provenance chamber examines title and lawful origin. The restitution chamber deals with claims for the return of cultural property. The contracts chamber settles sale, deposit and warranty disputes.
Each chamber is headed by a vice-president and has a list of arbitrators experienced in its field. The parties remain free to choose an arbitrator outside the list, with the president's agreement.
Appointment criteria
To appear on the list, an arbitrator must show ten years of experience, in-depth knowledge of international arbitration, command of at least two languages of proceedings, a reputation for integrity and sufficient availability. The application is examined by the council, which may hear the candidate.
Appointments are valid for five years, renewable after evaluation. Initial training and annual seminars are compulsory.
Each arbitrator completes, for each case, a declaration of independence stating past or present links with the parties, counsel and experts. The parties may contest this declaration within fifteen days. The council rules on the challenge.
An arbitrator may not advise a party at OIMAP in the five years before or after being appointed in a case. The rules of ethics are published and draw on the best-known international guidelines.
Diversity embraced
The council ensures diversity: civil-law and common-law traditions, Islamic law and Asian legal systems, experience of practitioners and academics. This diversity allows cases to be handled in which the parties come from very different systems.
Quantified targets frame parity and geographical representation, and an annual report measures progress. Applications from young arbitrators are encouraged by a mentoring programme.
The bodies of the tribunal
| Body | Role | Staff |
|---|---|---|
| President | Direction and representation | 1 |
| Council | Guidance and appointment | 9 |
| Chambers | Specialisation | 4 |
| Registry | Administration | 24 |
Milestones
- First council
Six members.
- Four chambers
Specialisation.
- Parity
Target of 40% women.
- New president
Pr. Vasseur.
List or free choice



Appointment by the parties or by the tribunal

By the parties
Agreement or choice of each- Control of the choice
- Trust
- Thirty-day time limit
Preferred method.

By the tribunal
Failing agreement- Speed
- Neutrality
- Choice from the list
Fallback solution.
Constituting the tribunal
- Propose
Each party proposes a name.
- Declare
The arbitrator declares links.
- Contest
Fifteen-day time limit.
- Confirm
Confirmation by the council.
- Begin
First meeting.
Qualities expected of an arbitrator
An arbitrator

« Sitting on the TAO calls for as much legal rigour as culture: an art dispute often turns on a detail of provenance. »
Vocabulary of the tribunal
- Council
- Governing body of the tribunal.
- Vice-president
- Head of a chamber.
- Declaration of independence
- Written statement of an arbitrator's links.
- Challenge
- Request to replace an arbitrator.
Frequently asked questions
How does one become an arbitrator?
By application examined by the council.
Are arbitrators paid?
Yes, according to the scale.
May I choose an arbitrator outside the list?
Yes, with the president's agreement.
Where can I see the list?
See List of arbitrators.
Useful documents
Contacts

Consult the list of arbitrators
Image credits (16)
- Sketches in Belgium and Germany, Volume I: Hall of Justice of the Magistrates du Franc, Bruges, Louis Haghe (1840) — Cleveland Museum of Art, CC0 1.0
- The Apotheosis of Romulus: Design for a Ceiling, Domenico Maria Canuti (c. 1675–76) — Cleveland Museum of Art, CC0 1.0
- The Antechamber of the Palace of Justice, Paris, Charles Meryon (1855) — Cleveland Museum of Art, CC0 1.0
- The Dance at the Court of Herod, Israhel van Meckenem (c. 1500) — Cleveland Museum of Art, CC0 1.0
- The Judgment of Solomon and Esther before Ahasuerus (pair), Dirk Vellert (c. 1530) — Cleveland Museum of Art, CC0 1.0
- Maharaja of Kotah Listening to Music and Watching Dancers (c. 1820) — Cleveland Museum of Art, CC0 1.0
- The Calumny of Apelles, Giorgio Ghisi (1560) — Cleveland Museum of Art, CC0 1.0
- Coronation of the Virgin, Christoffel Jegher (1632–36) — Cleveland Museum of Art, CC0 1.0
- Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart (c. 1815) — Cleveland Museum of Art, CC0 1.0
- Nowshera, Kashmir (number 1000), Samuel Bourne (1864) — Cleveland Museum of Art, CC0 1.0
- Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia, Louis Haghe (1846) — Cleveland Museum of Art, CC0 1.0
- Châteauvieux-sur-Suran, Antoine-Claude Ponthus-Cinier (1848) — Cleveland Museum of Art, CC0 1.0
- Eighteen Views of Rome: The Piazza Farnese (recto), Lievin Cruyl (1664) — Cleveland Museum of Art, CC0 1.0
- Portrait of Georges Arnold Fitzwilliam, Charles Balthazar Julien Fevret de Saint-Mémin (c. 1790–1852) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Man, Nicholas Freese (c. 1795–1800) — Cleveland Museum of Art, CC0 1.0
- The Victory Banquet: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems (c. 1765–74; poem dated 1760) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Arbitral Tribunal (TAO)An arbitral jurisdiction specialised in the art market and heritage: mission, organisation, principles and figures of the TAO.›
List of arbitrators142 arbitrators of 48 nationalities: directory, specialisms and appointment procedure of the OIMAP Arbitral Tribunal.›
Appointment of arbitratorsHow arbitrators are appointed: agreement of the parties, list, declaration of independence, challenge and replacement.›