Observe · Regulate · Protect — since 2007. 19th OIMAP General Assembly: Singapore, 10–12 June 2026. Programme
Training

Authentication of works

Stylistic examination, scientific analysis, archival research: the three pillars of attribution, taught with real cases.

Updated : October 28, 2026· 3 min read

Three ways of looking at a work

Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), Henri d'Orquevaulx (c. 1420–30)
Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), Henri d'Orquevaulx (c. 1420–30)

To authenticate is to cross-check evidence of different kinds: the connoisseur's eye (style, execution), material analysis (pigments, supports, patinas) and documentary research (archives, catalogues, provenance). The ten-day module teaches how to conduct and compare them.

It rests on a teaching collection of authentic works, copies and fakes, and on access to partner laboratories.

This page details the three pillars and the drawing up of a report.

  • Authentication
  • Expertise
  • Fakes

Authentication of works in figures

10 daysDuration
24Partner laboratories
120Works in the teaching collection
3Pillars of attribution

Source: OIMAP Academy.

Breakdown

Stylistic examination34%
Scientific analysis34%
Documentary research32%

Breakdown of the module.

The connoisseur's eye

The first pillar is visual examination: composition, brushwork, drawing, treatment of details, comparison with reference works. Trainees practise before authentic works and fakes, with methods to make their judgement explicit and open to discussion.

They also learn the limits of the eye: confirmation bias, the influence of a famous expert's opinion, visual fatigue.

Salver, Carlo Bugatti (c. 1907)
Salver, Carlo Bugatti (c. 1907)
Portrait of a Man, Gustave Caillebotte (1880)
Portrait of a Man, Gustave Caillebotte (1880)
Presentation  Bowl (1900)
Presentation Bowl (1900)

Scientific analysis

Infrared imaging, X-rays, spectrometry, carbon-14 dating, dendrochronology, pigment analysis: the module presents what each technique contributes and what it cannot. It teaches how to put a question to a laboratory and how to read an analysis report.

Trainees spend three days in a laboratory to observe the protocols.

Archives and provenance

Documentary research traces the history of the work: catalogues raisonnés, old sales, exhibitions, correspondence, inventories. It places the work in time and detects missing links.

A workshop is devoted to the critical reading of a catalogue raisonné and to forged documents.

The expert report

The report sets out the question asked, the methods used, the results, their limits and the conclusion. It distinguishes what is established, probable, possible or excluded. It is written to be understood by a judge, a buyer or an insurer.

Trainees write a full report on a case, which is discussed in a seminar.

The three pillars

Complementarity
PillarContributionLimit
StyleConsistency with known workSubjective
ScienceDating, materialsDoes not name the author
ArchivesHistory of the workDocuments can be forged

Milestones

  1. Style

    Collection.

  2. Science

    Laboratories.

  3. Archives

    Workshop.

  4. Report

    Seminar.

Expressing degrees of certainty

Turtleback Reading Lamp, Tiffany Glass & Decorating Company (c. 1895–1902)
Turtleback Reading Lamp, Tiffany Glass & Decorating Company (c. 1895–1902)
Portfolio I, Plate 34: The Blanket Weaver-Navaho, Edward S. Curtis (1904)
Portfolio I, Plate 34: The Blanket Weaver-Navaho, Edward S. Curtis (1904)
The Four Seasons, Kano Tan’yū (1668)
The Four Seasons, Kano Tan’yū (1668)

Team or individual expertise

Centerpiece, Eugène Rousseau (c. 1880)

In a team

Several specialists
  • Cross-checked views
  • Fewer errors
  • Coordination

For major works.

Jar with Stamped Decoration (1400s)

Individual

One expert
  • Speed
  • Reduced cost
  • Possible bias

For simple cases.

Conducting an authentication

  1. Frame

    Question.

  2. Examine

    Style.

  3. Analyse

    Science.

  4. Search

    Archives.

  5. Conclude

    Report.

Good practice

An expert

Miniature Teapot, Mikhail Evlampievich Perkhin (1886–96)
« The most useful thing was learning to say "I don't know" rigorously, and to explain why. »
Dr. Mélanie Gauthier, painting expert

Vocabulary of authentication

Dendrochronology
Dating by tree rings.
Spectrometry
Analysis by radiation.
Catalogue raisonné
Critical inventory of an artist's work.
Confirmation bias
Tendency to retain what supports one's opinion.

Fakes and reasoned doubt

The module studies famous cases of fakes and the expert errors that allowed them. It teaches how to stay open to doubt, to express degrees of certainty and to recognise one's limits.

Experts learn to refuse a commission when the work exceeds their competence or their independence is in question.

To go further

The Academy's reception service answers practical questions Monday to Friday, in French, English and Spanish, and can direct each visitor to the programme, scholarship or free resource that fits their situation. A guidance counsellor also offers a thirty-minute individual meeting, by appointment, to build a realistic training pathway.

Trainees' feedback is valuable: each session gives rise to a questionnaire, and the most useful suggestions are examined each quarter by the teaching committee. Do not hesitate to write to report a difficulty, propose a subject or tell us what the training has changed in your practice.

Frequently asked questions

Does the module include laboratories?

Yes, three days.

Is a prior diploma needed?

Yes.

Can it be followed in English?

Yes.

Where to see conservation?

Useful documents

Contacts

Eighteen Views of Rome: The Piazza Farnese (recto), Lievin Cruyl (1664)
Eighteen Views of Rome: The Piazza Farnese (recto), Lievin Cruyl (1664)
OIMAP AcademyParis — Head Office+33 1 00 00 05 00formation@oimap.exampleMonday to Friday, 9 a.m. – 5 p.m.

See conservation

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro (1879)

Prevention and documentation.

Conservation
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