Sharing the capital gain with the artist

The resale right is a right to remuneration that allows the artist, then their rights holders, to receive a percentage of the price on each professional resale of one of their works. It corrects an imbalance: the artist often sells for the first time at a low price, while later resales enrich the intermediaries.
It exists in thirty-four of the sixty-seven OIMAP Member States, with different rates and thresholds. It is most often managed by collective management societies.
This page describes its principle, its indicative scale, its beneficiaries and its practical arrangements.
Resale right in figures
Source: OIMAP Legal Affairs Department.
The principle
Each time a work is resold through a professional — auction house, gallery, dealer — the artist receives a percentage of the resale price. Direct sales between private individuals are generally excluded, as are the artist's first sales and resales below a threshold price.
The right applies to original works of fine and graphic art: paintings, sculptures, prints, photographs, tapestries, ceramics. Numbered copies of limited editions are treated in the same way.



Scale and collection
The scale is generally degressive: a decreasing percentage per price bracket, with a ceiling. By way of indication, 4% on the bracket up to €50,000, 3% up to €200,000, 1% up to €500,000, 0.5% beyond, and a ceiling of €12,500 per sale.
The royalty is owed by the seller but, depending on the State, borne by the buyer or shared. It is collected by the professional involved, who passes it on to the management society, which distributes it to artists or rights holders. Management fees are deducted.
Debates around the resale right
The resale right is the subject of recurring debate. Its supporters stress fairness to artists, many of whom live modestly. Its opponents fear it moves sales to States that do not apply it. The Observatory's studies have not confirmed this shift: where sales take place depends mainly on taxation, buyers and the services available.
OIMAP takes no position on extending the resale right but encourages the harmonisation of scales and thresholds among the States that apply it, to simplify operators' task.
Indicative scale
| Resale price bracket | Rate | Example |
|---|---|---|
| Up to €50,000 | 4% | Resale at €30,000: €1,200 |
| From €50,000 to €200,000 | 3% | Resale at €100,000: €2,000 + €1,500 = €3,500 |
| From €200,000 to €500,000 | 1% | Resale at €300,000: €2,000 + €4,500 + €1,000 = €7,500 |
| Above €500,000 | 0.5% | Ceiling reached at €12,500 |
Landmarks
- Birth
First law.
- Berne Convention
Optional clause.
- Harmonisation
European directive.
- 34 OIMAP Member States
Gradual extension.
An inalienable right
States with or without a resale right

With
34 Member States- Royalty on each resale
- Greater fairness for the artist
- Obligations for operators
Operators concerned.

Without
33 Member States- No royalty
- Lower cost of resale
- Persistent debates
Possible distortions.



Applying the resale right
- Identify
Check that the sale is covered.
- Calculate
Apply the scale.
- Collect
Levy from the buyer or the seller.
- Pass on
Pay to the management society.
- Declare
Record in the register.
Checks for an operator
An artists' representative

« For many artists, the resale right is the only way to see a share of the value they helped create come back to them. »
Vocabulary of the resale right
- Right to remuneration
- Right to receive a sum.
- Collective management society
- Body managing the rights of many rights holders.
- Original work
- Work created by the artist or under their authority.
- Bracket
- Part of the price to which a rate applies.
Frequently asked questions
Are sales between private individuals covered?
Generally not, unless a professional is involved.
Does the right apply to online sales?
Yes, if the platform is a professional acting as an intermediary.
Do heirs receive the resale right?
Yes, for the term of protection.
Where can I see the States?
See the list in the Legal library.
Useful documents
Contacts

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Image credits (16)
- Carpenter's Plane (1400s) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- Salver, Carlo Bugatti (c. 1907) — Cleveland Museum of Art, CC0 1.0
- Rue du Regard, Eugène Atget (1899) — Cleveland Museum of Art, CC0 1.0
- Presentation Bowl (1900) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Jar with Design in Underglaze Iron (1800s–1900s) — Cleveland Museum of Art, CC0 1.0
- London Nomades, John Thomson (1877) — Cleveland Museum of Art, CC0 1.0
- Curtain (1600s–1700s) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Study of Hands (recto); Sketch of a Hand (verso), Pierre Lenfant (1700s) — Cleveland Museum of Art, CC0 1.0
- Sketch of the Labyrinth of the Villa Pisani, Francesco Guardi (1773–1778(?)) — Cleveland Museum of Art, CC0 1.0
- Head of Proserpina, Gian Lorenzo Bernini (1650–1700) — Cleveland Museum of Art, CC0 1.0
- The Shepherd, Paulus Potter (1644) — Cleveland Museum of Art, CC0 1.0
- Portrait of a Naval Officer, Lai Fong (1870s) — Cleveland Museum of Art, CC0 1.0
- The Map Maker (c. 1843–45) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
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