A report in nine chapters

The 2024 full report runs to 184 pages organised in nine chapters, from the general overview to the outlook, with methodological boxes and references.
It is aimed at analysts, researchers, administrations and professionals who need detail: long series, comparisons between regions, analysis of price formation, insights on regulation.
This page presents its plan, the key chapters and a reading guide to find your way around.
The report in brief
2024 annual report.
Plan of the report
| Chapter | Content | Pages |
|---|---|---|
| 1. Overview | Volumes, index, economic outlook | 10 |
| 2. Segments | Painting, contemporary, sculpture, furniture, tribal art | 34 |
| 3. Regions | Five regions and their marketplaces | 28 |
| 4. Major sales | Top 10 and analysis of records | 14 |
| 5. Operators | Auction houses, galleries, platforms | 20 |
| 6. Digital market | Approved platforms and certification | 16 |
| 7. Regulation | Legal developments and controls | 22 |
| 8. Traceability | Certificates, BIOP, restitutions | 18 |
| 9. Outlook | Scenarios 2025 | 10 |
A chapter to remember: price formation
Chapter 2 devotes twenty pages to price formation. It shows that the presence of an OIMAP certificate before the sale is associated with a hammer price 7% higher on average, at comparable quality, and an unsold rate 9 points lower.
This certification premium is stronger for tribal art and works of complex provenance, where the buyer's confidence is a decisive element of the price.



Reading the report effectively
- Start with the summary
Spot the key figures.
- Choose your chapter
Segment, region or operator.
- Consult the boxes
Method and definitions.
- Check the annexes
For detailed series.
- Download the data
To reproduce the charts.
The editions of the report
- First report
Forty pages, eleven States.
- Full annual report
First analysis by segment.
- Three languages
Publication in French, English, Spanish.
- 184-page edition
Nine chapters and open data.
Licence and reuse
Online reading or PDF version

Online
Navigation by chapter- Links to the data
- Updated with corrections
- Built-in search
For consultation.

- Offline reading
- Stable pagination
- Precise citation
For archiving and citation.
Before citing a figure from the report



A researcher

« I always start with the methodological boxes: they spare me errors of interpretation. »
Vocabulary of the report
- Certification premium
- Price gap associated with the presence of a certificate.
- Box
- Explanatory block of text in a chapter.
- Erratum
- Correction published after release.
- Long series
- Data covering more than ten years.
What the report brings that is new
The 2024 edition introduces three novelties. First, an entire chapter devoted to traceability, which measures for the first time the effect of an OIMAP certificate on prices, on selling times and on the unsold rate. Second, an analysis of the digital market, which now distinguishes original digital works from tokens backed by a physical work. Finally, an insight into restitutions: 847 works have been returned since 2012, and their effect on the markets concerned is studied case by case.
Each chapter ends with a page of open questions, which identifies missing data and work to be done. The Observatory invites researchers to take up these questions and to propose collaborations.
Frequently asked questions
Is there an erratum?
Yes, the list of corrections is published at the end of the document.
Can the printed version be bought?
Yes, from the Secretariat, at cost.
Where are the report's data?
In the statistical annexes.
Is there an audio version?
A screen-reader version is available on request.
Useful documents
Contacts

Download the report
Image credits (16)
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- Portrait of Pope Paul II Barbo (obverse) and (reverse), Cristoforo di Geremia (c. 1468) — Cleveland Museum of Art, CC0 1.0
- Plaque (1500s–1600s) — Cleveland Museum of Art, CC0 1.0
- At the Market, Camille Pissarro (late 1800s) — Cleveland Museum of Art, CC0 1.0
- Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861, Édouard Baldus (1861) — Cleveland Museum of Art, CC0 1.0
- Solidus of Justinian I (reverse) (545–565) — Cleveland Museum of Art, CC0 1.0
- Mercury (Budha), from a Mandi Astrology Series, Sanju (c. 1810) — Cleveland Museum of Art, CC0 1.0
- Views: The Market on the Molo, Antonio Canaletto (1735–1746) — Cleveland Museum of Art, CC0 1.0
- Seal Color Box (1662–1722) — Cleveland Museum of Art, CC0 1.0
- American Red Cross War Council Medal (reverse), Daniel Chester French (1920) — Cleveland Museum of Art, CC0 1.0
- Carnet (1863–1865) — Cleveland Museum of Art, CC0 1.0
- The Doge's Palace, Venice, Richard Parkes Bonington (1826) — Cleveland Museum of Art, CC0 1.0
- Sweet Melancholy, Joseph-Marie Vien (1756) — Cleveland Museum of Art, CC0 1.0
- The Triumph of Mordecai, Lucas van Leyden (1515) — Cleveland Museum of Art, CC0 1.0
- Hours of Queen Isabella the Catholic, Queen of Spain, Master of the First Prayerbook of Maximillian (c. 1500) — Cleveland Museum of Art, CC0 1.0
- The Auction House: The Town Crier, Honoré Daumier (1864, printed 1920) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
2024 annual reportThe OIMAP Observatory's 2024 annual report: €67.8 billion in transactions, growth of 5.8% and a market that is becoming global.›
SummaryThe summary of the 2024 annual report: the key figures, the five lessons and the outlook for 2025.›
Studies and publicationsAnalysis notes, sector studies and databases of the OIMAP Observatory, in open access.›