Programmes for a region on the move

OIMAP's programmes in the Middle East respond to the needs of four States: heritage protection, training of officials, structuring of sales and exchange of experience.
They are followed from the Geneva office and financed by the regular budget and voluntary contributions.
States request them through the request for assistance. The general framework is described on the cooperation page.
Programmes in the Middle East in figures
Source: Member States Relations Directorate.
Heritage protection
The first strand helps States protect their sites and collections: inventories, marking, alert procedures and cooperation with customs. It draws on the 1954 Hague Protocol and the 1970 UNESCO Convention.
Actions are adapted to the situation of each State.



Training of officers
The second strand trains customs, police and heritage administration officials. The Organization has trained 8,940 officials worldwide.
Sessions are held in Geneva, in the capitals and online, and draw on the training catalogue.
Market support
The third strand supports States where the art market is taking shape: sale approval, import-export licences, certification, traceability. It draws on the services of the Desk and on the OIMAP 2019 Directives.
See also the certification section.
Exchanges of experience
The fourth strand brings the focal points together at regional meetings. They present their practices and results there, and prepare the annual plenary meeting.
The minutes are filed in the member area.
Programmes and audiences
| Programme | Audience | Format |
|---|---|---|
| Basic training | Front-line officers | Three days |
| Heritage inventory | National departments | Case by case |
| Workshop on sales | Administrations and professionals | Two days |
| Regional meeting | Focal points | Once a year |
Milestones
- First requests
Legal support to Lebanon.
- Accessions
The United Arab Emirates and Qatar join the region.
- First workshops
Regional training cycle (indicative).
- General Assembly
The focal points meet in Singapore.
An online request



In person or online

In person
On site- Practical exercises
- Direct contacts
- Teaching equipment
For practice.

Online
Remote- No travel required
- Adapted schedules
- Downloadable materials
To reach more officials.
Benefiting from a programme
- Identify
The national need.
- Consult
The available strands.
- Submit
The request for assistance.
- Take part
In the selected actions.
- Evaluate
The results.
Before submitting a request
A curator

« The inventory workshops gave us a common method. Our collections are now described in the same way as those of the other States. »
Glossary of programmes
- Inventory
- Descriptive list of a set of objects.
- Marking
- Physical or digital identification of an object.
- Sale approval
- Authorization to put a work up for sale.
- Review
- Annual evaluation.
Evaluation of programmes
Each programme is subject to an annual review: participants, results, feedback from States. Regional figures are indicative until the annual report is published.
Given the recent accessions, the review is subject to special examination.
Frequently Asked Questions
Are the programmes fee-based?
They are funded by the Organization; States cover their own travel costs.
Who can benefit?
The four Member States are up to date with their obligations.
How do I register?
Through the online request for assistance.
Where can the training be found?
See Training.
Useful Documents
Contacts

Submit a request for assistance
Image credits (17)
- Incense Burner (1200–1250) — Cleveland Museum of Art, CC0 1.0
- Talatat: Portrait of Nefertiti (c. 1353–1347 BCE) — Cleveland Museum of Art, CC0 1.0
- Tray Portraying Courtly Pleasures (1240s) — Cleveland Museum of Art, CC0 1.0
- Kubjika–Navatman (1300s) — Cleveland Museum of Art, CC0 1.0
- Tile, Minton(s) (ca. 1875) — The Metropolitan Museum of Art, CC0 1.0
- View of the Château of Pierrefonds, François-Louis Français (c. 1870) — Cleveland Museum of Art, CC0 1.0
- Head for a Feline Incense Burner (1150–1200) — Cleveland Museum of Art, CC0 1.0
- Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (c. 520–515 BCE) — Cleveland Museum of Art, CC0 1.0
- Royal Round Tent Made for Muhammad Shah (1834–48) — Cleveland Museum of Art, CC0 1.0
- Pendant with Two-Armed Blue Deity on a Lotus with Nagas (serpent divinities) (1600s or 1700s) — Cleveland Museum of Art, CC0 1.0
- Mortar (1100s–1200s) — Cleveland Museum of Art, CC0 1.0
- The Grotto of Posillipo, Hubert Robert (c. 1769) — Cleveland Museum of Art, CC0 1.0
- Bath Pail (Satl) (c. 1580–1610) — Cleveland Museum of Art, CC0 1.0
- Qur'an Manuscript Folio (800s) — Cleveland Museum of Art, CC0 1.0
- Leaf from a Lectionary with St. Luke (1057–1063) — Cleveland Museum of Art, CC0 1.0
- A Lady Reading, Francis Seymour Haden (1833–1910) — Cleveland Museum of Art, CC0 1.0
- Landscape with Castle and Shepherds, Achille Etna Michallon (1814) — Cleveland Museum of Art, CC0 1.0
Cleveland Museum of Art · CC0 1.0
Middle EastFour Member States in the Middle East, followed from the Geneva office, and cooperation programmes focused on heritage and sales.›
Cooperation in the Middle EastThe framework for cooperation with the four Middle Eastern States: monitoring from Geneva, bodies, partners and exchange channels.›
Technical AssistanceTraining of officials, equipment, audit of services and on-site missions: OIMAP's operational support to Member States.›
Legal assistanceOpinions, drafting of texts and support for transposing the reference conventions: OIMAP's legal offer to Member States.›